Book contents
- Ralph Ellison in Context
- Ralph Ellison in Context
- Copyright page
- Contents
- Figures
- Notes on Contributors
- Abbreviations
- Introduction
- Part I Geographical, Institutional, and Interpersonal Contexts
- Part II Historical, Political, and Cultural Contexts
- Part III Literary and Critical Contexts
- Part IV Reception and Reputation
- Chapter 29 Critical Reputation, 1994–2020
- Chapter 30 Reading Invisible Man by Design
- Chapter 31 Reception of the Hickman Novel
- Chapter 32 Reception of the Essay Collections
- Chapter 33 Reception in the Soviet Union (1953–1991) and Post-Soviet States (1991–2020)
- Chapter 34 Biographies of Ellison
- Chapter 35 Ellison and Digital Humanities
- Index
Chapter 32 - Reception of the Essay Collections
from Part IV - Reception and Reputation
Published online by Cambridge University Press: 14 January 2022
- Ralph Ellison in Context
- Ralph Ellison in Context
- Copyright page
- Contents
- Figures
- Notes on Contributors
- Abbreviations
- Introduction
- Part I Geographical, Institutional, and Interpersonal Contexts
- Part II Historical, Political, and Cultural Contexts
- Part III Literary and Critical Contexts
- Part IV Reception and Reputation
- Chapter 29 Critical Reputation, 1994–2020
- Chapter 30 Reading Invisible Man by Design
- Chapter 31 Reception of the Hickman Novel
- Chapter 32 Reception of the Essay Collections
- Chapter 33 Reception in the Soviet Union (1953–1991) and Post-Soviet States (1991–2020)
- Chapter 34 Biographies of Ellison
- Chapter 35 Ellison and Digital Humanities
- Index
Summary
This chapter provides a select overview of critical responses to Ellison’s two essay collections —Shadow and Act (1964) and Going to the Territory (1986)—since their publication. The essays were important in the evolution of American Studies (through R.W.B. Lewis’s reaction) and the development of Jazz Studies; the jazz essays were excerpted into the volume Living with Music, edited by Robert O’Meally (2001). For critics such as Eric Lott, Hortense J. Spillers, Kenneth Warren, and David Bromwich, the collections expand on thematic concerns regarding art, politics, and race introduced in Invisible Man (1952). These and other critics reflect on the importance of these chapters for thinking about race and literature, identity and culture, laughter, music, and other topics.
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- Information
- Ralph Ellison in Context , pp. 354 - 364Publisher: Cambridge University PressPrint publication year: 2021