Published online by Cambridge University Press: 11 June 2020
Chapter Four examines the emergence of detective fiction in relation to real-world crime and how the reporting and mapping of it within newspapers bears upon fictional representations. It offers a sceptical (critical cartographic) reading of the map as something not to be trusted in the search for truth. This issue is considered in relation to the work of Agatha Christie which contains multiple maps. A final section on maps and human geometry (relations between people and place) analyses the social and human dimensions of such maps in the work of Christie and Margery Allingham. (95)
To save this book to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
Find out more about the Kindle Personal Document Service.
To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.
To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.