Book contents
- Reforming Art in Renaissance Venice
- Reforming Art in Renaissance Venice
- Copyright page
- Contents
- Acknowledgements
- Introduction
- Part I
- Chapter One The Appeal of the Subversive
- Chapter Two Nakedness and the Lascivious
- Chapter Three The Limits of Enforcement
- Chapter Four A Reform in Quantity
- Part II
- Conclusions
- Bibliography
- Index
Chapter One - The Appeal of the Subversive
Art and Heresy (1520–1544)
from Part I
Published online by Cambridge University Press: 24 January 2025
- Reforming Art in Renaissance Venice
- Reforming Art in Renaissance Venice
- Copyright page
- Contents
- Acknowledgements
- Introduction
- Part I
- Chapter One The Appeal of the Subversive
- Chapter Two Nakedness and the Lascivious
- Chapter Three The Limits of Enforcement
- Chapter Four A Reform in Quantity
- Part II
- Conclusions
- Bibliography
- Index
Summary
Chapter 1 concentrates on the extent to which the relative fluidity of belief that was tolerated prior to the late 1540s in Italy was manifested visually. It analyses cases of artists who embraced theological ideas that would later be deemed doctrinally unacceptable by the Catholic Church, highlighting the complexities of reading heterodox meanings into their output.
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- Reforming Art in Renaissance Venice , pp. 39 - 78Publisher: Cambridge University PressPrint publication year: 2025