Book contents
- Reforming Art in Renaissance Venice
- Reforming Art in Renaissance Venice
- Copyright page
- Contents
- Acknowledgements
- Introduction
- Part I
- Chapter One The Appeal of the Subversive
- Chapter Two Nakedness and the Lascivious
- Chapter Three The Limits of Enforcement
- Chapter Four A Reform in Quantity
- Part II
- Conclusions
- Bibliography
- Index
Chapter Two - Nakedness and the Lascivious
The Boundaries of Decorum before and after the Council of Trent
from Part I
Published online by Cambridge University Press: 24 January 2025
- Reforming Art in Renaissance Venice
- Reforming Art in Renaissance Venice
- Copyright page
- Contents
- Acknowledgements
- Introduction
- Part I
- Chapter One The Appeal of the Subversive
- Chapter Two Nakedness and the Lascivious
- Chapter Three The Limits of Enforcement
- Chapter Four A Reform in Quantity
- Part II
- Conclusions
- Bibliography
- Index
Summary
Chapter 2 focuses on the nature of visual decorum both before and after the Council of Trent (1545–63). The shifting parameters of what was deemed appropriate for public display in devotional sites partly explains why certain images were censored, particularly with relation to nudity, yet it was also the case that some artistic creations tested the boundaries of acceptability as never before.
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- Reforming Art in Renaissance Venice , pp. 79 - 134Publisher: Cambridge University PressPrint publication year: 2025