Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-4rdpn Total loading time: 0 Render date: 2024-11-10T06:29:27.311Z Has data issue: false hasContentIssue false

Chapter 19 - ‘All Corners Else o’th’Earth Let Liberty Make Use Of’

The Shakespeare Prison Project

from Part V - Reimagining Performance

Published online by Cambridge University Press:  02 February 2023

Liam E. Semler
Affiliation:
University of Sydney
Claire Hansen
Affiliation:
Australian National University, Canberra
Jacqueline Manuel
Affiliation:
University of Sydney
Get access

Summary

A director who has facilitated Shakespeare programmes in prisons for fifteen years in conversation with a former prisoner who served eighteen years and who participated in four of those programmes. The authors explore the ways in which performative Shakespeare programmes fill a niche otherwise unoccupied in the prison system – a recreational programme that offers opportunities for collaboration, growth and the development of empathic and communication skills that are not constrained by a deficit-based and outcome-oriented pedagogy. The programme offers models of camaraderie and support that are not ‘in opposition to’ other groups, and promotes collaborative over individual achievement. The development of intrinsic motivation is a key component in functioning as a free citizen, but is actively discouraged by the correctional system. Prison Shakespeare programmes develop these skills in addition to offering a practical critique to the model of ‘toughness’ promoted by the prisoners’ own cultural milieu. The chapter speaks to the value of recreation for its own sake, and how it can be a vital component in both education and rehabilitation precisely because it does not set out to do either.

Type
Chapter
Information
Reimagining Shakespeare Education
Teaching and Learning through Collaboration
, pp. 295 - 306
Publisher: Cambridge University Press
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Boal, Augusto, 1979. Theatre of the Oppressed (New York: Urizen).Google Scholar
Burns, David, 1980. Feeling Good: The New Mood Therapy (New York: Morrow).Google Scholar
Dreier, Jenna, 2019. ‘From Apprentice to Master: Casting Men to Play Shakespeare’s Women in Prison’, Humanities 8.3, 124. https://doi.org/10.3390/h8030123.CrossRefGoogle Scholar
Freire, Paolo, 1970. Pedagogy of the Oppressed (New York: Herder and Herder).Google Scholar
Liem, Marieke, 2013. ‘Homicide Offender Recidivism: A Review of the Literature’, Aggression and Violent Behavior 18.1, 1925.CrossRefGoogle Scholar
Pensalfini, Rob, 2013. ‘Shakespeare of the Oppressed,’ in Flaherty, Kate, Gay, Penny, and Semler, Liam E. (eds.), Teaching Shakespeare Beyond the Centre: Australasian Perspectives (Basingstoke: Palgrave Macmillan), 225–36.Google Scholar
Pensalfini, Rob, 2016. Prison Shakespeare: For these Deep Shames and Great Indignities (Basingstoke: Palgrave Macmillan).CrossRefGoogle Scholar
Pensalfini, Rob, 2019. ‘The Play’s the Thing: Performance in Prison Shakespeare’, in Balfour, Michael, Bartleet, Brydie-Leigh, Davey, Linda, Rynne, John, and Schippers, Huib (eds.), Performing Arts in Prisons: Captive Audiences (Bristol: Intellect), chap. 9.Google Scholar
Rogerson, Hank (dir.), 2005. Shakespeare Behind Bars (Philomath Films, USA).Google Scholar
Shailor, Jonathan, 2011. Performing New Lives: Prison Theatre (London: Jessica Kingsley Publishers).Google Scholar
Trnka, Radek, Zahradnik, Martin, and Kuška, Martin, 2016. ‘Emotional Creativity and Real-Life Involvement in Different Types of Creative Leisure Activities’, Creativity Research Journal 28.3, 348–56.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×