Book contents
- Reorienting Modernism in Arabic and Persian Poetry
- Cambridge Studies in World Literature
- Reorienting Modernism in Arabic and Persian Poetry
- Copyright page
- Contents
- Acknowledgments
- Note on Transliteration
- Introduction
- Part I Crafting a Modernist Geography across Arabic and Persian Poetry
- Part II Imagining New Worlds
- Part III Aftermath
- Chapter 5 Honoring Commitments
- Chapter 6 Winter in the Modernist Garden
- Conclusion
- Notes
- Bibliography
- Index
Chapter 5 - Honoring Commitments
ʿAbd al-Wahhāb al-Bayātī’s Existential Trials
from Part III - Aftermath
Published online by Cambridge University Press: 24 November 2022
- Reorienting Modernism in Arabic and Persian Poetry
- Cambridge Studies in World Literature
- Reorienting Modernism in Arabic and Persian Poetry
- Copyright page
- Contents
- Acknowledgments
- Note on Transliteration
- Introduction
- Part I Crafting a Modernist Geography across Arabic and Persian Poetry
- Part II Imagining New Worlds
- Part III Aftermath
- Chapter 5 Honoring Commitments
- Chapter 6 Winter in the Modernist Garden
- Conclusion
- Notes
- Bibliography
- Index
Summary
This chapter examines the courses modernist Arabic poetry took in Iraq following Sayyāb’s premature death in 1964. ʿAbd al-Wahhāb al-Bayātī (d. 1999) was a well-known poetic rival of Sayyāb who remained affiliated with the Communist Party even after the difficulties Communists grappled with during the 1950s. As the decade went on, fallout from the Iranian coup was compounded by nearly-simultaneous revelations about the realities of Joseph Stalin’s authoritarian rule following his death in 1953. I focus on the existential crisis Bayātī faced when the hopeful possibilities of 1950s decolonization efforts became more and more limited in the face of rising totalitarianism in the Middle East. Despite the changing political situation in the region manifested in, for instance, the rise of the Iraqi Baath and the increasing authoritarianism of Gamal Abdel Nasser’s regime in Egypt, modernists continued to use the same techniques in the 1960s that their predecessors had employed two decades earlier. Specifically, like Nīmā before him, Bayātī uses another premodern Arabic poetic device – taḍmīn or “poetic quoting”– to sublate premodern traditions into modernist poetry.
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- Information
- Reorienting Modernism in Arabic and Persian Poetry , pp. 123 - 142Publisher: Cambridge University PressPrint publication year: 2022