Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-dk4vv Total loading time: 0 Render date: 2024-12-26T08:14:44.942Z Has data issue: false hasContentIssue false
This chapter is part of a book that is no longer available to purchase from Cambridge Core

5 - ‘Under the wide and starry sky’

David Robb
Affiliation:
David Robb is Research Fellow in English in the School of Humanities University of Dundee.
Get access

Summary

Stevenson's short poem ‘Requiem’ is one of the best known and most frequently quoted of his verses but of its eight lines only the first has no reference to death and the grave: read on its own, the line suggests exhilaration, a love of beauty, and openness to the world and to experience. Whereas Stevenson's contemporaries and the immediately succeeding generation saw his early death as a prominent part of his story, today's readers and critics are surely more likely to be conscious of the extent and variety of his highly productive career. Our overriding sense of him as a writer is of brilliance, of copiousness, of the constantly unexpected and of a seemingly natural grace. It is vitality we associate with him, rather than mournfulness – even while we might regret the absence of what further decades could have produced. Stevenson would appear to embody, as well as anybody, the immortality which a great writer can achieve. His reputation among academic critics (to use the simplest phrase) may have died for a while after his death, but it has come back to life again and looks set to remain vital for the foreseeable future. He is now regularly discussed once more as one of the leading authors of his age, whether the critic brings to bear a concern with the historical, social, or psychological circumstances of the period, or is concerned with questions of writerly craft, technique, or theory, or is enlivened by a nationalist point of view. There is a sense, however, in which the scholars and critics are merely catching up with ordinary readers and with other practising writers, who have never ceased to find in Stevenson's works pleasure and high achievement. James Robertson has usefully surveyed the fall and rise of his reputation – a leading Scottish novelist acknowledging a great predecessor.

If Stevenson is now held once more in high regard, there is nevertheless a continuing variability, an unsettled quality, in more particular matters relating to him. For one thing, his life and personality continue to interest equally with his writings.

Type
Chapter
Information
Publisher: Liverpool University Press
Print publication year: 2014

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×