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from Part V - Life, Illness, and the Arts
Published online by Cambridge University Press: 28 March 2024
Reading Lowell’s depictions of madness in poems from The Mills of the Kavanaughs to Day by Day, this chapter follows Lowell’s negotiation of literary conventions to arrive at a notion of diverse mental states that, in life, cannot entirely be controlled. It is argued that he effectively contributes to the reduction of stigmatization by slowly working through conventions of representing madness, such as the gothic, or othering mad persons through race and gender. He arrives at finally owning his mental state as a derangement of his senses, especially his vision, and foregrounds art and humor as coping mechanisms when facing the fragility and suffering of human life.
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