Book contents
- Robert Lowell in Context
- Robert Lowell In Context
- Copyright page
- Dedication
- Contents
- Contributors
- Acknowledgments
- Abbreviations
- Introduction
- Part I Places
- Part II American Politics, American Wars
- Part III Some Literary Models
- Part IV Contemporaries
- Part V Life, Illness, and the Arts
- Chapter 16 Religion
- Chapter 17 Marriage
- Chapter 18 Desensationalizing Madness
- Chapter 19 Photography
- Chapter 20 Painting
- Part VI Reputation and New Contexts
- Further Reading
- Index
Chapter 18 - Desensationalizing Madness
from Part V - Life, Illness, and the Arts
Published online by Cambridge University Press: 28 March 2024
- Robert Lowell in Context
- Robert Lowell In Context
- Copyright page
- Dedication
- Contents
- Contributors
- Acknowledgments
- Abbreviations
- Introduction
- Part I Places
- Part II American Politics, American Wars
- Part III Some Literary Models
- Part IV Contemporaries
- Part V Life, Illness, and the Arts
- Chapter 16 Religion
- Chapter 17 Marriage
- Chapter 18 Desensationalizing Madness
- Chapter 19 Photography
- Chapter 20 Painting
- Part VI Reputation and New Contexts
- Further Reading
- Index
Summary
Reading Lowell’s depictions of madness in poems from The Mills of the Kavanaughs to Day by Day, this chapter follows Lowell’s negotiation of literary conventions to arrive at a notion of diverse mental states that, in life, cannot entirely be controlled. It is argued that he effectively contributes to the reduction of stigmatization by slowly working through conventions of representing madness, such as the gothic, or othering mad persons through race and gender. He arrives at finally owning his mental state as a derangement of his senses, especially his vision, and foregrounds art and humor as coping mechanisms when facing the fragility and suffering of human life.
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- Robert Lowell In Context , pp. 195 - 205Publisher: Cambridge University PressPrint publication year: 2024