Book contents
- Robert Wedderburn, Abolition, and the Commons
- Cambridge Studies in Romanticism
- Robert Wedderburn, Abolition, and the Commons
- Copyright page
- Contents
- Figures
- Acknowledgments
- Introduction
- Chapter 1 Against Private Property
- Chapter 2 From Plantation to Prison
- Chapter 3 Black Women’s Abolitionist Geographies in The Horrors of Slavery and The History of Mary Prince
- Chapter 4 Provisions and Pigs
- Chapter 5 Maroon Settlements as Abolitionist Commons
- Chapter 6 Emancipation as the Enclosure of “Waste Fertility”
- Conclusion
- Notes
- Bibliography
- Index
- Cambridge Studies In Romanticism
Chapter 1 - Against Private Property
Wedderburn’s The Axe Laid to the Root
Published online by Cambridge University Press: 09 January 2025
- Robert Wedderburn, Abolition, and the Commons
- Cambridge Studies in Romanticism
- Robert Wedderburn, Abolition, and the Commons
- Copyright page
- Contents
- Figures
- Acknowledgments
- Introduction
- Chapter 1 Against Private Property
- Chapter 2 From Plantation to Prison
- Chapter 3 Black Women’s Abolitionist Geographies in The Horrors of Slavery and The History of Mary Prince
- Chapter 4 Provisions and Pigs
- Chapter 5 Maroon Settlements as Abolitionist Commons
- Chapter 6 Emancipation as the Enclosure of “Waste Fertility”
- Conclusion
- Notes
- Bibliography
- Index
- Cambridge Studies In Romanticism
Summary
As he rose to leadership of the Spencean Philanthropists in 1817, Robert Wedderburn wrote and published six issues of Axe Laid to the Root, an inexpensive weekly periodical for working-class readers. Axe Laid to the Root instructed its white audience about the radical potential of African-Jamaican land and food-based liberation. The provision grounds, plots set apart from the plantation for enslaved people to grow their own food, were a source of resistance to plantation capitalism, providing food sovereignty and communal identity. The ecological knowledge of the Jamaican Maroons was another source of resistance to plantation economies. Finally, Wedderburn’s writing in “cheap” periodicals aspired to cultivate a transatlantic alliance between the English lower classes, the colonized Irish, and free and enslaved people in Jamaica. The chapter concludes by discussing George Cruikshank’s The New Union Club, which features Wedderburn as a central figure within abolitionist circles.
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- Information
- Robert Wedderburn, Abolition, and the CommonsRomanticism's Black Geographies, pp. 25 - 44Publisher: Cambridge University PressPrint publication year: 2025