Book contents
- Robert Wedderburn, Abolition, and the Commons
- Cambridge Studies in Romanticism
- Robert Wedderburn, Abolition, and the Commons
- Copyright page
- Contents
- Figures
- Acknowledgments
- Introduction
- Chapter 1 Against Private Property
- Chapter 2 From Plantation to Prison
- Chapter 3 Black Women’s Abolitionist Geographies in The Horrors of Slavery and The History of Mary Prince
- Chapter 4 Provisions and Pigs
- Chapter 5 Maroon Settlements as Abolitionist Commons
- Chapter 6 Emancipation as the Enclosure of “Waste Fertility”
- Conclusion
- Notes
- Bibliography
- Index
- Cambridge Studies In Romanticism
Chapter 5 - Maroon Settlements as Abolitionist Commons
Nanny of the Maroons, R. C. Dallas’s History of the Maroons, and J. G. Stedman’s Narrative of a Five Years’ Expedition
Published online by Cambridge University Press: 09 January 2025
- Robert Wedderburn, Abolition, and the Commons
- Cambridge Studies in Romanticism
- Robert Wedderburn, Abolition, and the Commons
- Copyright page
- Contents
- Figures
- Acknowledgments
- Introduction
- Chapter 1 Against Private Property
- Chapter 2 From Plantation to Prison
- Chapter 3 Black Women’s Abolitionist Geographies in The Horrors of Slavery and The History of Mary Prince
- Chapter 4 Provisions and Pigs
- Chapter 5 Maroon Settlements as Abolitionist Commons
- Chapter 6 Emancipation as the Enclosure of “Waste Fertility”
- Conclusion
- Notes
- Bibliography
- Index
- Cambridge Studies In Romanticism
Summary
This chapter moves backward in time to trace the Maroons’ decolonial relationship with the environment, starting with Queen Nanny, a leader in the First Maroon War and a present-day National Hero of Jamaica. Narratives of Nanny’s warfare against the British noted that her fight included growing pumpkins in the rugged Blue Mountains. The chapter then turns to a critically neglected Romantic-era text, R. C. Dallas’s History of the Maroons. Although primarily a military history, Dallas repeatedly admired the Maroons’ communal “superabundance.” Similarly, J. G. Stedman’s Narrative of a Five Years’ Expedition, accompanied by William Blake’s illustrations, described Maroon settlements as viable, sustainable societies that were notable alternatives to plantation capitalism. The Maroons’ agricultural and culinary “superabundance,” documented by Dallas, Stedman, and Blake alike, suggests a Romantic-era ecological critique rooted in communal decolonial practices, which supplements the Romantic figure of the solitary walker who critiques society by communing with nature.
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- Robert Wedderburn, Abolition, and the CommonsRomanticism's Black Geographies, pp. 101 - 122Publisher: Cambridge University PressPrint publication year: 2025