Book contents
- Shakespeare at War
- Shakespeare at War
- Copyright page
- Contents
- Figures
- Notes on Contributors
- Acknowledgements
- Note on the Text
- Introduction
- Chapter 1 ‘The Truth for Which We Are Fighting’
- Chapter 2 The Seven Years’ War (1756–1763) and Garrick’s Shakespearean Nationalism
- Chapter 3 Revolutionary Shakespeare
- Chapter 4 Hamlet Mobilized
- Chapter 5 Shakespeare, the North-West Passage, and the Russian War
- Chapter 6 ‘Now for Our Irish Wars’
- Chapter 7 Shakespeare and the Survival of Middle England
- Chapter 8 Ellen Terry Stars at the Shakespeare Hut
- Chapter 9 The 1916 Shakespeare Tercentenary at № 1 Camp in Calais
- Chapter 10 Shakespeare Does His Bit for the War Effort
- Chapter 11 Germanizing Shakespeare during the First World War
- Chapter 12 Readers and Rebels
- Chapter 13 Forgotten Histories
- Chapter 14 ‘Now Good or Bad, ’tis but the Chance of War’
- Chapter 15 ‘Precurse of Feared Events’
- Chapter 16 But What Are We Fighting For?
- Chapter 17 Henry V and the Battle of Powerscourt
- Chapter 18 Unser Shakespeare in Nazi Germany
- Chapter 19 Framing the Jew
- Chapter 20 G. Wilson Knight’s ‘Royal Propaganda’ in ‘This Sceptred Isle’ (1941)
- Chapter 21 Shakespeare’s Desert Camouflage
- Chapter 22 ‘May I with Right and Conscience Make This Claim?’
- Chapter 23 Henry V and the Invasion of Iraq
- Chapter 24 Who Pays the Price?
- Chapter 25 ‘Mere Prattle, without Practice, Is All His Soldiership’
- Chapter 26 ‘Thou Hast Set Me on the Rack’
- Afterword
- Notes
- Index
Chapter 26 - ‘Thou Hast Set Me on the Rack’
Torture and Modern Warfare in Iqbal Khan’s Othello (Royal Shakespeare Company, 2015)
Published online by Cambridge University Press: 17 August 2023
- Shakespeare at War
- Shakespeare at War
- Copyright page
- Contents
- Figures
- Notes on Contributors
- Acknowledgements
- Note on the Text
- Introduction
- Chapter 1 ‘The Truth for Which We Are Fighting’
- Chapter 2 The Seven Years’ War (1756–1763) and Garrick’s Shakespearean Nationalism
- Chapter 3 Revolutionary Shakespeare
- Chapter 4 Hamlet Mobilized
- Chapter 5 Shakespeare, the North-West Passage, and the Russian War
- Chapter 6 ‘Now for Our Irish Wars’
- Chapter 7 Shakespeare and the Survival of Middle England
- Chapter 8 Ellen Terry Stars at the Shakespeare Hut
- Chapter 9 The 1916 Shakespeare Tercentenary at № 1 Camp in Calais
- Chapter 10 Shakespeare Does His Bit for the War Effort
- Chapter 11 Germanizing Shakespeare during the First World War
- Chapter 12 Readers and Rebels
- Chapter 13 Forgotten Histories
- Chapter 14 ‘Now Good or Bad, ’tis but the Chance of War’
- Chapter 15 ‘Precurse of Feared Events’
- Chapter 16 But What Are We Fighting For?
- Chapter 17 Henry V and the Battle of Powerscourt
- Chapter 18 Unser Shakespeare in Nazi Germany
- Chapter 19 Framing the Jew
- Chapter 20 G. Wilson Knight’s ‘Royal Propaganda’ in ‘This Sceptred Isle’ (1941)
- Chapter 21 Shakespeare’s Desert Camouflage
- Chapter 22 ‘May I with Right and Conscience Make This Claim?’
- Chapter 23 Henry V and the Invasion of Iraq
- Chapter 24 Who Pays the Price?
- Chapter 25 ‘Mere Prattle, without Practice, Is All His Soldiership’
- Chapter 26 ‘Thou Hast Set Me on the Rack’
- Afterword
- Notes
- Index
Summary
This interview offers Iqbal Khan’s directorial perspective on his influential production of Othello (2015). The casting of Hugh Quarshie as Othello and Lucian Msamati as Iago made Othello a play more about intra-racial than inter-racial relations. However, Khan explains how the inclusion of references to the torture of prisoners of war by the allied forces during the Iraq War helped him highlight the ways in which Othello is more than a play about its protagonist’s doubt about his place as a person of colour in a world dominated by people with different traditions that exclude him. According to Khan, the play is equally (if not more) invested in exploring the nature of Othello’s work and the nature of his experience as the leader of mercenary forces. Besides, as Khan points out, the questions that haunt Othello haunt all of us. Some of these questions – including what makes up one’s systems of loyalty, what makes up one’s systems of justice and judgement, or whom one is accountable to – are especially problematic at times of war, because they often reveal a slippage between lack of control (and victimhood) and abuse of power (and complicity).
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- Shakespeare at WarA Material History, pp. 249 - 254Publisher: Cambridge University PressPrint publication year: 2023