Shakespeare on Screen: King Lear

doi:10.1017/9781108589727

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Crossref Citations

This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

Smith, Emma 2020. Shakespeare Survey 73.

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Jackson, Russell 2020. Shakespeare Survey 73. p. 266.

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Edited by Victoria Bladen, University of Queensland, Sarah Hatchuel, Université Paul Valéry, Montpellier, Nathalie Vienne-Guerrin, Université Paul Valéry, Montpellier

Publisher:: Cambridge University Press
Online publication date:: September 2019
Print publication year:: 2019
Online ISBN:: 9781108589727
DOI:: https://doi.org/10.1017/9781108589727

Subjects:: Literature, Renaissance and Early Modern Literature
Series:: Shakespeare on Screen

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The third volume in the re-launched series Shakespeare on Screen is devoted to film versions and adaptations of King Lear. Bringing together an international group of scholars, the chapters provide new insights and perspectives on what constitutes 'Learness' in a range of films, TV productions, translations, free retellings and appropriations from around the world. Taking 'screen' in its broader sense, it also covers digital material such as video archives, internet movies and YouTube videos. The volume features an invaluable film-bibliography and accompanying online resources include additional essays and an expanded version of the film-bibliography.

‘… this volume provides a perfect foundation from which to disperse and dislocate Lear’s screen presence ever further.’

Peter Kirwan Source: Cahiers Élisabéthains: A Journal of English Renaissance Studies

‘The empathy that pervades the latest addition to the excellent Shakespeare on Screen series is at times overwhelming … this volume provides a perfect foundation from which to disperse and dislocate Lear’s screen presence ever further.’

Peter Kirwan Source: The Shakespeare Newsletter

‘The collection contains more richly suggestive essays than I have space to mention; it will be indispensable to students of King Lear. The editors’ calculated broad approach creates a collection that is more than the sum of its parts, and which is animated by a sense of conscience and compassion.’

Sally Barnden Source: Shakespeare Bulletin

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Shakespeare on Screen: King Lear

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