Book contents
- Shakespeare Survey
- Shakespeare Survey
- Shakespeare Survey
- Copyright page
- Editor’s Note
- Contributors
- Contents
- Illustrations
- Shakespeare’s Transcolonial Solidarities in the Global South
- Shakespeare’s Creolized Voices
- ‘Accents Yet Unknown’: Haider and Hamlet in Kashmir
- The Forests of Silence: Global Shakespeare in the Philippines, the Philippines in Global Shakespeare
- Arab Shakespeares at the World Shakespeare Congress
- The Dual Tradition of Bardolatry in China
- A Catalyst for Theatrical Reinvention: Contemporary Travelling Companies at the Tokyo Globe Theatre
- ‘Both Alike in Dignity’: Havana and Mexico City Play Romeo and Juliet
- Cuban Improvisations: Reverse Colonization via Shakespeare
- Mixing Memory with Desire: Staging Hamlet Q1
- Shakespeare, Race and ‘Other’ Englishes: The Q Brothers’ Othello: The Remix
- ‘Mingled Yarn’: The Merchant of Venice East of Berlin and the Legacy of ‘Eastern Europe’
- Ariel’s Groans, or, Performing Protean Gender on the Bulgarian Post-Communist Stage
- Dressing the History ‘Boys’: Harry’s Masks, Falstaff’s Underpants
- Shopping for the Archives: Fashioning a Costume Collection
- Pastiche or Archetype? The Sam Wanamaker Playhouse and the Project of Theatrical Reconstruction
- Evolutionary Naturalism and Embodied Ecology in Shakespearian Performance (with a Scene from King John)
- Of Dance and Disarticulation: Juliet Dead and Alive
- Titania’s Dream: Three Choreographic Midsummer Night’s Dreams of the Twentieth Century
- Shakespeare on Screens: Close Watching, Close Listening
- From Table Books to Tumblr: Recollecting the Microgenres of the Early Modern Stage in Social Media
- Unlearning Shakespeare Studies: Speculative Criticism and the Place of Fan Activism
- Titus Andronicus and Trapdoors at the Rose and Newington Butts
- Shakespeare’s Bewitching Line
- At the Sign of the Angel: The Influence of Andrew Wise on Shakespeare in Print
- Shakespeare and Hardy: The Tragi-comic Nexus
- Queer Iago: A Brief History
- Global Shakespeare and the Censor: Adaptation, Context and Shakespeare Must Die, a Thai Film Adaptation of Macbeth
- Hathaway Farm: Commemorating Warwickshire Will Between the Wars
- Shakespeare Performances in England, 2017
- Professional Shakespeare Productions in the British Isles, January–December 2016
- The Year’s Contribution to Shakespeare Studies
- 1. Critical Studies
- 2. Shakespeare in Performance
- 3. Editions and Textual Studies
- Abstracts of Articles in Shakespeare Survey 71
- Index
- References
1. - Critical Studies
from The Year’s Contribution to Shakespeare Studies
Published online by Cambridge University Press: 28 November 2018
Edited by
Book contents
- Shakespeare Survey
- Shakespeare Survey
- Shakespeare Survey
- Copyright page
- Editor’s Note
- Contributors
- Contents
- Illustrations
- Shakespeare’s Transcolonial Solidarities in the Global South
- Shakespeare’s Creolized Voices
- ‘Accents Yet Unknown’: Haider and Hamlet in Kashmir
- The Forests of Silence: Global Shakespeare in the Philippines, the Philippines in Global Shakespeare
- Arab Shakespeares at the World Shakespeare Congress
- The Dual Tradition of Bardolatry in China
- A Catalyst for Theatrical Reinvention: Contemporary Travelling Companies at the Tokyo Globe Theatre
- ‘Both Alike in Dignity’: Havana and Mexico City Play Romeo and Juliet
- Cuban Improvisations: Reverse Colonization via Shakespeare
- Mixing Memory with Desire: Staging Hamlet Q1
- Shakespeare, Race and ‘Other’ Englishes: The Q Brothers’ Othello: The Remix
- ‘Mingled Yarn’: The Merchant of Venice East of Berlin and the Legacy of ‘Eastern Europe’
- Ariel’s Groans, or, Performing Protean Gender on the Bulgarian Post-Communist Stage
- Dressing the History ‘Boys’: Harry’s Masks, Falstaff’s Underpants
- Shopping for the Archives: Fashioning a Costume Collection
- Pastiche or Archetype? The Sam Wanamaker Playhouse and the Project of Theatrical Reconstruction
- Evolutionary Naturalism and Embodied Ecology in Shakespearian Performance (with a Scene from King John)
- Of Dance and Disarticulation: Juliet Dead and Alive
- Titania’s Dream: Three Choreographic Midsummer Night’s Dreams of the Twentieth Century
- Shakespeare on Screens: Close Watching, Close Listening
- From Table Books to Tumblr: Recollecting the Microgenres of the Early Modern Stage in Social Media
- Unlearning Shakespeare Studies: Speculative Criticism and the Place of Fan Activism
- Titus Andronicus and Trapdoors at the Rose and Newington Butts
- Shakespeare’s Bewitching Line
- At the Sign of the Angel: The Influence of Andrew Wise on Shakespeare in Print
- Shakespeare and Hardy: The Tragi-comic Nexus
- Queer Iago: A Brief History
- Global Shakespeare and the Censor: Adaptation, Context and Shakespeare Must Die, a Thai Film Adaptation of Macbeth
- Hathaway Farm: Commemorating Warwickshire Will Between the Wars
- Shakespeare Performances in England, 2017
- Professional Shakespeare Productions in the British Isles, January–December 2016
- The Year’s Contribution to Shakespeare Studies
- 1. Critical Studies
- 2. Shakespeare in Performance
- 3. Editions and Textual Studies
- Abstracts of Articles in Shakespeare Survey 71
- Index
- References
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Chapter
- Information
- Shakespeare Survey 71Re-Creating Shakespeare, pp. 362 - 376Publisher: Cambridge University PressPrint publication year: 2018
References
Works Reviewed
Astington, John H., Stage and Picture in the English Renaissance: the Mirror up to Nature (Cambridge, 2017)CrossRefGoogle Scholar
Bassi, Shaul, Shakespeare’s Italy and Italy’s Shakespeare: Place, ‘Race’, Politics (Basingstoke: Palgrave Macmillan, 2017)Google Scholar
Dustagheer, Sarah, Shakespeare’s Two Playhouses: Repertory and Theatre Space at the Globe and the Blackfriars 1599–1613 (Cambridge, 2017)Google Scholar
Fitter, Chris, ed., Shakespeare and the Politics of Commoners: Digesting the New Social History (Oxford, 2017)Google Scholar
Laroche, Rebecca, and Munroe, Jennifer, Shakespeare and Ecofeminist Theory (London, 2017)Google Scholar
Nahshon, Edna, and Shapiro, Michael, eds., Wrestling with Shylock: Jewish Responses to the Merchant of Venice (Cambridge, 2017)Google Scholar
Neill, Michael, and Schalkwyk, David, eds., The Oxford Handbook of Shakespearean Tragedy (Oxford, 2017)Google Scholar
Post, Jonathan F. S., Shakespeare’s Sonnets and Poems: A Very Short Introduction (Oxford, 2017)CrossRefGoogle Scholar
Tribble, Evelyn, Early Modern Actors and Shakespeare’s Theatre: Thinking with the Body (London, 2017)CrossRefGoogle Scholar