Book contents
- Shakespeare Survey
- Shakespeare Survey
- Shakespeare Survey
- Copyright page
- Editor’s Note
- Contributors
- Contents
- Illustrations
- Shakespeare’s Transcolonial Solidarities in the Global South
- Shakespeare’s Creolized Voices
- ‘Accents Yet Unknown’: Haider and Hamlet in Kashmir
- The Forests of Silence: Global Shakespeare in the Philippines, the Philippines in Global Shakespeare
- Arab Shakespeares at the World Shakespeare Congress
- The Dual Tradition of Bardolatry in China
- A Catalyst for Theatrical Reinvention: Contemporary Travelling Companies at the Tokyo Globe Theatre
- ‘Both Alike in Dignity’: Havana and Mexico City Play Romeo and Juliet
- Cuban Improvisations: Reverse Colonization via Shakespeare
- Mixing Memory with Desire: Staging Hamlet Q1
- Shakespeare, Race and ‘Other’ Englishes: The Q Brothers’ Othello: The Remix
- ‘Mingled Yarn’: The Merchant of Venice East of Berlin and the Legacy of ‘Eastern Europe’
- Ariel’s Groans, or, Performing Protean Gender on the Bulgarian Post-Communist Stage
- Dressing the History ‘Boys’: Harry’s Masks, Falstaff’s Underpants
- Shopping for the Archives: Fashioning a Costume Collection
- Pastiche or Archetype? The Sam Wanamaker Playhouse and the Project of Theatrical Reconstruction
- Evolutionary Naturalism and Embodied Ecology in Shakespearian Performance (with a Scene from King John)
- Of Dance and Disarticulation: Juliet Dead and Alive
- Titania’s Dream: Three Choreographic Midsummer Night’s Dreams of the Twentieth Century
- Shakespeare on Screens: Close Watching, Close Listening
- From Table Books to Tumblr: Recollecting the Microgenres of the Early Modern Stage in Social Media
- Unlearning Shakespeare Studies: Speculative Criticism and the Place of Fan Activism
- Titus Andronicus and Trapdoors at the Rose and Newington Butts
- Shakespeare’s Bewitching Line
- At the Sign of the Angel: The Influence of Andrew Wise on Shakespeare in Print
- Shakespeare and Hardy: The Tragi-comic Nexus
- Queer Iago: A Brief History
- Global Shakespeare and the Censor: Adaptation, Context and Shakespeare Must Die, a Thai Film Adaptation of Macbeth
- Hathaway Farm: Commemorating Warwickshire Will Between the Wars
- Shakespeare Performances in England, 2017
- Professional Shakespeare Productions in the British Isles, January–December 2016
- The Year’s Contribution to Shakespeare Studies
- 1. Critical Studies
- 2. Shakespeare in Performance
- 3. Editions and Textual Studies
- Abstracts of Articles in Shakespeare Survey 71
- Index
- References
3. - Editions and Textual Studies
from The Year’s Contribution to Shakespeare Studies
Published online by Cambridge University Press: 28 November 2018
By
Edited by
Book contents
- Shakespeare Survey
- Shakespeare Survey
- Shakespeare Survey
- Copyright page
- Editor’s Note
- Contributors
- Contents
- Illustrations
- Shakespeare’s Transcolonial Solidarities in the Global South
- Shakespeare’s Creolized Voices
- ‘Accents Yet Unknown’: Haider and Hamlet in Kashmir
- The Forests of Silence: Global Shakespeare in the Philippines, the Philippines in Global Shakespeare
- Arab Shakespeares at the World Shakespeare Congress
- The Dual Tradition of Bardolatry in China
- A Catalyst for Theatrical Reinvention: Contemporary Travelling Companies at the Tokyo Globe Theatre
- ‘Both Alike in Dignity’: Havana and Mexico City Play Romeo and Juliet
- Cuban Improvisations: Reverse Colonization via Shakespeare
- Mixing Memory with Desire: Staging Hamlet Q1
- Shakespeare, Race and ‘Other’ Englishes: The Q Brothers’ Othello: The Remix
- ‘Mingled Yarn’: The Merchant of Venice East of Berlin and the Legacy of ‘Eastern Europe’
- Ariel’s Groans, or, Performing Protean Gender on the Bulgarian Post-Communist Stage
- Dressing the History ‘Boys’: Harry’s Masks, Falstaff’s Underpants
- Shopping for the Archives: Fashioning a Costume Collection
- Pastiche or Archetype? The Sam Wanamaker Playhouse and the Project of Theatrical Reconstruction
- Evolutionary Naturalism and Embodied Ecology in Shakespearian Performance (with a Scene from King John)
- Of Dance and Disarticulation: Juliet Dead and Alive
- Titania’s Dream: Three Choreographic Midsummer Night’s Dreams of the Twentieth Century
- Shakespeare on Screens: Close Watching, Close Listening
- From Table Books to Tumblr: Recollecting the Microgenres of the Early Modern Stage in Social Media
- Unlearning Shakespeare Studies: Speculative Criticism and the Place of Fan Activism
- Titus Andronicus and Trapdoors at the Rose and Newington Butts
- Shakespeare’s Bewitching Line
- At the Sign of the Angel: The Influence of Andrew Wise on Shakespeare in Print
- Shakespeare and Hardy: The Tragi-comic Nexus
- Queer Iago: A Brief History
- Global Shakespeare and the Censor: Adaptation, Context and Shakespeare Must Die, a Thai Film Adaptation of Macbeth
- Hathaway Farm: Commemorating Warwickshire Will Between the Wars
- Shakespeare Performances in England, 2017
- Professional Shakespeare Productions in the British Isles, January–December 2016
- The Year’s Contribution to Shakespeare Studies
- 1. Critical Studies
- 2. Shakespeare in Performance
- 3. Editions and Textual Studies
- Abstracts of Articles in Shakespeare Survey 71
- Index
- References
Summary
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- Shakespeare Survey 71Re-Creating Shakespeare, pp. 388 - 404Publisher: Cambridge University PressPrint publication year: 2018
References
Works Reviewed
Chaudhuri, Sukanta, ed., A Midsummer Night’s Dream, The Arden Shakespeare (London, 2017)CrossRefGoogle Scholar
Proudfoot, Richard, and Bennett, Nicola, eds., King Edward III, The Arden Shakespeare (London, 2017)Google Scholar
Taylor, Gary, and Egan, Gabriel, eds., The New Oxford Shakespeare Authorship Companion (Oxford, 2017)CrossRefGoogle Scholar
Taylor, Gary, Jowett, John, Bourus, Terri, and Egan, Gabriel, eds., The New Oxford Shakespeare: Modern Critical Edition (Oxford, 2016)CrossRefGoogle Scholar
Taylor, Gary, Jowett, John, Bourus, Terri, and Egan, Gabriel, eds., The New Oxford Shakespeare: Critical Reference Edition, 2 vols. (Oxford, 2017)Google Scholar