from The Year’s Contribution To Shakespeare Studies
Published online by Cambridge University Press: 24 August 2022
Following the pulling down of the statue of slave-trader, Edward Colston, in Bristol in the summer of 2020, in response to the Black Lives Matter movement, the historian David Olusoga observed, ‘the problem isn’t the statue; it’s the pedestal’. At a similar moment, the question of Shakespeare’s function as a potential symbol of racial oppression encouraged Ayanna Thompson to ask the question, ‘Is Shakespeare a statue?’ Some of the most valuable scholarship in Shakespeare produced this year asks directly or obliquely what kind of oppressive function Shakespeare-as-statue serves, and interrogates the kind of pedestals which have placed him there.
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