Book contents
- Shakespeare Survey 75
- Shakespeare Survey
- Shakespeare Survey
- Copyright page
- Editor’s Note
- Contributors
- Contents
- Illustrations
- Understanding Iago, An Italian Film Adaptation Of Othello: Clientelism, Corruption, Politics
- Circumventing Marginality: The Curious Case Of India’s Othello Screen Adaptations
- Othello’s Kin: Legacy, Belonging And The Fortunes Of The Moor
- ‘More Fair Than Black’: Othellos On British Radio
- ‘This Fair Paper’: Othello And The Artists’ Book
- Othello: A Dialogue With The Built Environment
- ‘[A] Maid Called Barbary’: Othello, Moorish Maidservants And The Black Presence In Early Modern England
- ‘The Moor’s Abused By Some Most Villainous Knave, Some Base Notorious Knave, Some Scurvy Fellow’: Legal Spaces, Racial Trauma And Shakespeare’s The Tragedy Of Othello, The Moor Of Venice
- Ben Jonson’s Sejanus And Shakespeare’s Othello: Two Plays Performed By The King’s Men In 1603
- Iago And The Clown: Disassembling The Vice In Othello
- Pitying Desdemona In Folio Othello: Race, Gender And The Willow Song
- Desdemona’s Honest Friend
- Suffering Ecstasy: Othello And The Drama Of Displacement
- Othello’s Sympathies: Emotion, Agency And Identification
- Warning The Stage: Shakespeare’s Mid-Scene Entrance Conventions
- Looking For Perdita In Ali Smith’s Summer
- Grafted To The Moor: Anglo-Spanish Dynastic Marriage And Miscegenated Whiteness In The Winter’s Tale
- Rhyme, History And Memory In A Mirror For Magistrates And Henry VI
- ‘Bad’ Love Lyrics And Poetic Hypocrisy From Gascoigne To Benson’s Shakespeare
- Viola’s Telemachy
- New Analogical Evidence For Cymbeline’s Folkloric Composition In The Medieval Icelandic Ála Flekks Saga
- ‘But When Extremities Speak’: Harley Granville-Barker, Coriolanus, The World Wars And The State Of Exception
- Shakespeare Performances in England, 2021
- Shakespeare Performances in England, 2021
- Professional Shakespeare Productions In The British Isles, January–December 2020
- The Year’s Contribution To Shakespeare Studies
- Abstracts Of Articles In Shakespeare Survey 75
- Index
- References
The Year’s Contribution To Shakespeare Studies
Published online by Cambridge University Press: 24 August 2022
Edited by
Book contents
- Shakespeare Survey 75
- Shakespeare Survey
- Shakespeare Survey
- Copyright page
- Editor’s Note
- Contributors
- Contents
- Illustrations
- Understanding Iago, An Italian Film Adaptation Of Othello: Clientelism, Corruption, Politics
- Circumventing Marginality: The Curious Case Of India’s Othello Screen Adaptations
- Othello’s Kin: Legacy, Belonging And The Fortunes Of The Moor
- ‘More Fair Than Black’: Othellos On British Radio
- ‘This Fair Paper’: Othello And The Artists’ Book
- Othello: A Dialogue With The Built Environment
- ‘[A] Maid Called Barbary’: Othello, Moorish Maidservants And The Black Presence In Early Modern England
- ‘The Moor’s Abused By Some Most Villainous Knave, Some Base Notorious Knave, Some Scurvy Fellow’: Legal Spaces, Racial Trauma And Shakespeare’s The Tragedy Of Othello, The Moor Of Venice
- Ben Jonson’s Sejanus And Shakespeare’s Othello: Two Plays Performed By The King’s Men In 1603
- Iago And The Clown: Disassembling The Vice In Othello
- Pitying Desdemona In Folio Othello: Race, Gender And The Willow Song
- Desdemona’s Honest Friend
- Suffering Ecstasy: Othello And The Drama Of Displacement
- Othello’s Sympathies: Emotion, Agency And Identification
- Warning The Stage: Shakespeare’s Mid-Scene Entrance Conventions
- Looking For Perdita In Ali Smith’s Summer
- Grafted To The Moor: Anglo-Spanish Dynastic Marriage And Miscegenated Whiteness In The Winter’s Tale
- Rhyme, History And Memory In A Mirror For Magistrates And Henry VI
- ‘Bad’ Love Lyrics And Poetic Hypocrisy From Gascoigne To Benson’s Shakespeare
- Viola’s Telemachy
- New Analogical Evidence For Cymbeline’s Folkloric Composition In The Medieval Icelandic Ála Flekks Saga
- ‘But When Extremities Speak’: Harley Granville-Barker, Coriolanus, The World Wars And The State Of Exception
- Shakespeare Performances in England, 2021
- Shakespeare Performances in England, 2021
- Professional Shakespeare Productions In The British Isles, January–December 2020
- The Year’s Contribution To Shakespeare Studies
- Abstracts Of Articles In Shakespeare Survey 75
- Index
- References
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- Shakespeare Survey 75Othello, pp. 361 - 398Publisher: Cambridge University PressPrint publication year: 2022
References
Works Reviewed
Acker, Faith D., First Readers of Shakespeare’s Sonnets, 1590–1790 (New York and London, 2021)Google Scholar
Barnes, Todd Landon, Shakespearean Charity and the Perils of Redemptive Performance (Cambridge, 2020)CrossRefGoogle Scholar
Edmondson, Paul, and Wells, Stanley, eds., All the Sonnets of Shakespeare (Cambridge, 2020)Google Scholar
Gilchrist, Kim, Staging Britain’s Past: Pre-Roman Britain in Early Modern Drama (London and New York, 2021)Google Scholar
Knecht, Ross, The Grammar Rules of Affection: Passion and Pedagogy in Sidney, Shakespeare and Jonson (Toronto, Buffalo, London, 2021)Google Scholar
Razzall, Lucy, Boxes and Books in Early Modern England: Materiality, Metaphor, Containment (Cambridge, 2021)Google Scholar
Thompson, Ayanna ed., The Cambridge Companion to Shakespeare and Race (Cambridge, 2021)CrossRefGoogle Scholar
Works Reviewed
Note: As well as books issued in 2021, this review takes into account books that appeared in 2020, and – in some cases – work published earlier but not available in paperback until then.
Aebischer, Pascale, Shakespeare, Spectatorship and the Technologies of Performance (Cambridge, 2020)Google Scholar
Buccola, Regina, Haunting History on Stage: Shakespeare in the USA and Canada (Cambridge, 2019)Google Scholar
Cook, Amy, Shakespearean Futures: Casting the Bodies of Tomorrow on Shakespeare’s Stages Today (Cambridge, 2020)Google Scholar
Ferguson, Alisa Grant, The Shakespeare Hut: A Story of Memory, Performance and Identity, 1916–1923 (London, 2018)Google Scholar
Heijes, Coen, Shakespeare, Blackface and Race: Different Perspectives (Cambridge, 2020)Google Scholar
O’Neill, Stephen, ed., Broadcast Your Shakespeare: Continuity and Change across Media (London, 2018)Google Scholar
Sen, Sudhaseel, Shakespeare in the World: Cross-cultural Adaptation in Europe and Colonial India, 1850–1900 (London, 2021)Google Scholar
Trivedi, Poonam, and Chakravarti, Paromita, eds., Shakespeare and Indian Cinemas: Local Habitations (London and Abingdon, 2019)Google Scholar
Trivedi, Poonam, Chakravarti, Paromita and Motohashi, Ted, eds., Asian Interventions in Global Shakespeare: ‘All the World’s His Stage’ (London and Abingdon, 2021)Google Scholar
Wiles, David, The Players’ Advice to Hamlet: The Rhetorical Acting Method from the Renaissance to the Enlightenment (Cambridge, 2020)Google Scholar
Works Reviewed
Bourne, Claire M. L., ed., Shakespeare / Text: Contemporary Readings in Textual Studies, Editing and Performance (London, 2021)Google Scholar
Erne, Lukas, ed., The Arden Research Handbook of Shakespeare and Textual Studies (London, 2021)Google Scholar
Erne, Lukas, and Singh, Devani, eds., Bel-vedére or the Garden of the Muses: An Early Modern Printed Commonplace Book (Cambridge, 2020).Google Scholar
Knowles, Richard, ed., A New Variorum Edition of Shakespeare’s King Lear (New York, 2020)Google Scholar
Lesser, Zachary, Ghosts, Holes, Rips, and Scrapes: Shakespeare in 1619, Bibliography in the Longue Durée (Cambridge, 2021)Google Scholar
Murphy, Andrew, Shakespeare in Print: A History and Chronology of Shakespeare Publishing, 2nd ed. (Cambridge, 2021)Google Scholar
Proudfoot, Richard, Thompson, Ann, Kastan, David Scott and Woudhuysen, H. R., eds., William Shakespeare: Complete Works (London, 2020)Google Scholar
Yarn, Molly G., Shakespeare’s Lady Editors: A History of the Shakespearean Text (Cambridge, 2021)Google Scholar