Book contents
- Shakespeare Survey
- Shakespeare Survey
- Shakespeare Survey
- Copyright page
- Editor’s Note
- Contributors
- Contents
- Illustrations
- Remembering shakespeare’s Sonnets in Lucy Negro, Redux
- The Poetics of Antiquarian Accumulation in a Lover’s Complaint
- Different Samenesses
- Shakespeare’s Canvas
- ‘Persuasion by Similitude’: Finding Likeness in Shakespeare’s a Lover’s Complaint
- ‘Nothing-to-be-glossed-here’: Race in Shakespeare’s Sonnets
- Allegorical Desire, or, the Sufi ‘Phoenix and the Turtle’
- The Poetics of Shakespearian Erasure: Lyric Thinking with Bhanu Kapil and Preti Taneja
- Lucrece, Letters and the Moment of Lipsius
- Shakespeare’s Arabic Sonnets
- How to make a Formal Complaint: Sara Ahmed’s Complaint! and William Shakespeare’s a Lover’s Complaint
- They also Serve who only Stand and Write, or, how Milton Read Shakespeare’s Sonnets
- Writing Delight with Beauty’s Pen: Restoring Richard Barnfield’s Lost Credit
- Ocular Power and Female Fascinum in Shakespeare’s Venus And Adonis
- Pretty Creatures: A Lover’s Complaint, the Rape of Lucrece and Early Modern Women’s Complaint Poetry
- Lyric Voices and Cultural Encounters Across Time and Space: The Poetry of William Shakespeare and Faiz Ahmed Faiz (1911–1984)
- The thing itself or the image of that Horror: Fictions, Fascisms and We that are young
- Shakespeare’s Refugees
- Shakespeare as a Source of Dramaturgical Reconstruction
- Shakespeare, Race, Postcoloniality: The State of the Fields
- Asian Shakespeares online from Singapore
- Strange Shadows: Translating Shakespeare – The State of the Field
- Gender and Sexuality: The State of the Fields
- Shakespeare Performances in England, 2022–2023
- Productions Outside London, 2022–2023
- Professional Shakespeare Productions in the UK, January–December 2022
- The Year’s Contribution to Shakespeare Studies
- Abstracts of Articles in Shakespeare Survey 77
- Index
- References
Shakespeare Survey
Published online by Cambridge University Press: 07 November 2024
Book contents
- Shakespeare Survey
- Shakespeare Survey
- Shakespeare Survey
- Copyright page
- Editor’s Note
- Contributors
- Contents
- Illustrations
- Remembering shakespeare’s Sonnets in Lucy Negro, Redux
- The Poetics of Antiquarian Accumulation in a Lover’s Complaint
- Different Samenesses
- Shakespeare’s Canvas
- ‘Persuasion by Similitude’: Finding Likeness in Shakespeare’s a Lover’s Complaint
- ‘Nothing-to-be-glossed-here’: Race in Shakespeare’s Sonnets
- Allegorical Desire, or, the Sufi ‘Phoenix and the Turtle’
- The Poetics of Shakespearian Erasure: Lyric Thinking with Bhanu Kapil and Preti Taneja
- Lucrece, Letters and the Moment of Lipsius
- Shakespeare’s Arabic Sonnets
- How to make a Formal Complaint: Sara Ahmed’s Complaint! and William Shakespeare’s a Lover’s Complaint
- They also Serve who only Stand and Write, or, how Milton Read Shakespeare’s Sonnets
- Writing Delight with Beauty’s Pen: Restoring Richard Barnfield’s Lost Credit
- Ocular Power and Female Fascinum in Shakespeare’s Venus And Adonis
- Pretty Creatures: A Lover’s Complaint, the Rape of Lucrece and Early Modern Women’s Complaint Poetry
- Lyric Voices and Cultural Encounters Across Time and Space: The Poetry of William Shakespeare and Faiz Ahmed Faiz (1911–1984)
- The thing itself or the image of that Horror: Fictions, Fascisms and We that are young
- Shakespeare’s Refugees
- Shakespeare as a Source of Dramaturgical Reconstruction
- Shakespeare, Race, Postcoloniality: The State of the Fields
- Asian Shakespeares online from Singapore
- Strange Shadows: Translating Shakespeare – The State of the Field
- Gender and Sexuality: The State of the Fields
- Shakespeare Performances in England, 2022–2023
- Productions Outside London, 2022–2023
- Professional Shakespeare Productions in the UK, January–December 2022
- The Year’s Contribution to Shakespeare Studies
- Abstracts of Articles in Shakespeare Survey 77
- Index
- References
- Type
- Chapter
- Information
- Shakespeare Survey 77Shakespeare's Poetry, pp. iiPublisher: Cambridge University PressPrint publication year: 2024
References
Assistant to the Editor Katie Mennis
Shakespeare and his StageGoogle Scholar
Shakespearian ProductionGoogle Scholar
The Man and the WriterGoogle Scholar
InterpretationGoogle Scholar
Textual CriticismGoogle Scholar
The HistoriesGoogle Scholar
Style and LanguageGoogle Scholar
The ComediesGoogle Scholar
HamletGoogle Scholar
The Roman PlaysGoogle Scholar
The Last Plays (with an index to Surveys 1–10)Google Scholar
The Elizabethan TheatreGoogle Scholar
King LearGoogle Scholar
Shakespeare and his ContemporariesGoogle Scholar
The Poems and MusicGoogle Scholar
Shakespeare in the Modern WorldGoogle Scholar
Shakespeare in his Own AgeGoogle Scholar
Shakespeare Then Till NowGoogle Scholar
MacbethGoogle Scholar
Shakespearian and Other TragedyGoogle Scholar
Othello (with an index to Surveys 11–20)Google Scholar
Aspects of Shakespearian ComedyGoogle Scholar
Shakespeare’s LanguageGoogle Scholar
Shakespeare: Theatre PoetGoogle Scholar
Shakespeare’s Problem PlaysGoogle Scholar
Shakespeare’s Jacobean TragediesGoogle Scholar
Shakespeare’s Early TragediesGoogle Scholar
Shakespeare and the Ideas of his TimeGoogle Scholar
Shakespeare’s Last PlaysGoogle Scholar
Henry IV to HamletGoogle Scholar
Shakespeare and the Classical World (with an index to Surveys 21–30)Google Scholar
The Middle ComediesGoogle Scholar
King LearGoogle Scholar
Characterization in ShakespeareGoogle Scholar
Shakespeare in the Nineteenth CenturyGoogle Scholar
Shakespeare in the Twentieth CenturyGoogle Scholar
Shakespeare’s Earlier ComediesGoogle Scholar
Shakespeare and HistoryGoogle Scholar
Shakespeare on Film and TelevisionGoogle Scholar
Current Approaches to Shakespeare through Language, Text and TheatreGoogle Scholar
Shakespearian Stages and Staging (with an index to Surveys 31–40)Google Scholar
Shakespeare and the ElizabethansGoogle Scholar
The Tempest and AfterGoogle Scholar
Shakespeare and PoliticsGoogle Scholar
Hamlet and its AfterlifeGoogle Scholar
Shakespeare and SexualityGoogle Scholar
Playing Places for ShakespeareGoogle Scholar
Shakespeare and Cultural ExchangeGoogle Scholar
Romeo and Juliet and its AfterlifeGoogle Scholar
Shakespeare and LanguageGoogle Scholar
Shakespeare in the Eighteenth Century (with an index to Surveys 41–50)Google Scholar
Shakespeare and the GlobeGoogle Scholar
Shakespeare and NarrativeGoogle Scholar
Shakespeare and ReligionsGoogle Scholar
King Lear and its AfterlifeGoogle Scholar
Shakespeare and ComedyGoogle Scholar
Macbeth and its AfterlifeGoogle Scholar
Writing About ShakespeareGoogle Scholar
Editing ShakespeareGoogle Scholar
Theatres for ShakespeareGoogle Scholar
Shakespeare, Sound and ScreenGoogle Scholar
Close Encounters with Shakespeare’s TextGoogle Scholar
Shakespeare’s English Histories and their AfterlivesGoogle Scholar
Shakespeare as Cultural CatalystGoogle Scholar
A Midsummer Night’s DreamGoogle Scholar
Working with ShakespeareGoogle Scholar
Shakespeare’s Collaborative WorkGoogle Scholar
Shakespeare, Origins and OriginalityGoogle Scholar
Shakespeare and RomeGoogle Scholar
Creating ShakespeareGoogle Scholar
Re-Creating ShakespeareGoogle Scholar
Shakespeare and WarGoogle Scholar
Shakespeare and the CityGoogle Scholar
Shakespeare and EducationGoogle Scholar
OthelloGoogle Scholar
Digital and Virtual ShakespeareGoogle Scholar
Shakespeare’s PoetryGoogle Scholar