Book contents
- Frontmatter
- Chiding the Plays: Then till Now
- ‘The Great Variety of Readers’
- Shakespeare’s Text—Then, Now and Tomorrow
- ‘Hamlet’ Then Till Now
- Shakespeare’s Imagery—Then and Now
- The Study and Practice of Shakespeare Production
- Shakespeare on the Screen
- Shakespeare in the Opera House
- Some Shakespearian Music, 1660–1900
- Shakespeare in America: A Survey to 1900
- International Notes
- Shakespeare Productions in the United Kingdom: 1962–4
- Three Kinds of Shakespeare: 1964 Productions at London, Stratford-upon-Avon and Edinburgh
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times and Stage
- 3 Textual Studies
- Books Received
- Index
- Plate section
‘Hamlet’ Then Till Now
Published online by Cambridge University Press: 28 March 2007
- Frontmatter
- Chiding the Plays: Then till Now
- ‘The Great Variety of Readers’
- Shakespeare’s Text—Then, Now and Tomorrow
- ‘Hamlet’ Then Till Now
- Shakespeare’s Imagery—Then and Now
- The Study and Practice of Shakespeare Production
- Shakespeare on the Screen
- Shakespeare in the Opera House
- Some Shakespearian Music, 1660–1900
- Shakespeare in America: A Survey to 1900
- International Notes
- Shakespeare Productions in the United Kingdom: 1962–4
- Three Kinds of Shakespeare: 1964 Productions at London, Stratford-upon-Avon and Edinburgh
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times and Stage
- 3 Textual Studies
- Books Received
- Index
- Plate section
Summary
Many men have seen themselves in the hero of this play; and it is especially easy for me to do so at the moment, when I have a task assigned to me which I know myself unequal to performing. I do not expect to escape censure for my weakness, though I hope it will not be put down to a defect of will and that something may be allowed to me for the magnitude of the task itself. For well over a century almost every writer upon Hamlet has begun by remarking that more has been written on it than on any other work of literature, before adding his own ink to the ever-swelling flood. In 1877 the Furness Variorum, in order to keep up with the tide, needed two volumes instead of the one that still suffices for other Shakespeare plays; and beginning where Furness left off, A. A. Raven listed in his ‘Hamlet’ Bibliography and Reference Guide (1936) over 2000 items between 1877 and 1935, while the Classified Shakespeare Bibliography of Gordon Ross Smith (1963), continuing the count down to 1958, added over 900 more items, ranging from Dover Wilson’s The Manuscript of Shakespeare’s ‘Hamlet’ (1934), which I suppose deals with Hamlet then, to ‘Hamlet as Existentialist’ (Shakespeare Newsletter, vii, 1957), which may conceivably be Hamlet now. As I approach this enormous task of tracing the critical fortunes of this play, my mind, like Hamlet’s own in Hazlitt’s phrase, sinks within me.
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- Chapter
- Information
- Shakespeare Survey , pp. 34 - 45Publisher: Cambridge University PressPrint publication year: 1965