Book contents
- Frontmatter
- Professional Players in the Guild Hall, Stratford-upon-Avon, 1568–1597
- Reconstructing The Rose: Development of the Playhouse Building between 1587 and 1592
- The Rose and its Stages
- Philip Henslowe and the Elizabethan Court
- From Revels to Revelation: Shakespeare and the Mask
- Bride-ing the Shrew: Costumes that Matter
- ‘When Men and Women are Alone’: Framing the Taming in India
- The Crown and the Pillow: Royal Properties in Henry IV
- Humanity at Stake: Man and Animal in Shakespeare’s Theatre
- Popular Shakespeare in Japan
- ‘Philosophy in a Gorilla Suit’: Do Shakespearians Perform or Just Perform-a-tive?
- Sudokothellophobia: Writing Hypertextually, Performatively
- Living Monuments: The Spatial Politics of Shakespeare’s Rome on the Contemporary Stage
- ‘In Windsor Forest and at the Boar’s Head’: The ‘Falstaff Plays’ and English Music in the Early Twentieth Century
- Michael Bogdanov in Conversation
- The Mouse and the Urn: Re-Visions of Shakespeare from Voltaire to Ducis
- ‘I covet your skull’: Death and Desire in Hamlet
- Martin Droeshout Redivivus: Reassessing the Folio Engraving of Shakespeare
- Canonizing Shakespeare: The Passionate Pilgrim, England’s Helicon and the Question of Authenticity
- Rereading Shakespeare: The Example of Richard Brathwait
- Shakespeare Performances in England, 2006: January 2006
- Professional Shakespeare Productions in the British Isles January–December 2005
- he Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare in Performance
- 3 Editions and Textual Studies
- Index
Humanity at Stake: Man and Animal in Shakespeare’s Theatre
Published online by Cambridge University Press: 28 November 2007
- Frontmatter
- Professional Players in the Guild Hall, Stratford-upon-Avon, 1568–1597
- Reconstructing The Rose: Development of the Playhouse Building between 1587 and 1592
- The Rose and its Stages
- Philip Henslowe and the Elizabethan Court
- From Revels to Revelation: Shakespeare and the Mask
- Bride-ing the Shrew: Costumes that Matter
- ‘When Men and Women are Alone’: Framing the Taming in India
- The Crown and the Pillow: Royal Properties in Henry IV
- Humanity at Stake: Man and Animal in Shakespeare’s Theatre
- Popular Shakespeare in Japan
- ‘Philosophy in a Gorilla Suit’: Do Shakespearians Perform or Just Perform-a-tive?
- Sudokothellophobia: Writing Hypertextually, Performatively
- Living Monuments: The Spatial Politics of Shakespeare’s Rome on the Contemporary Stage
- ‘In Windsor Forest and at the Boar’s Head’: The ‘Falstaff Plays’ and English Music in the Early Twentieth Century
- Michael Bogdanov in Conversation
- The Mouse and the Urn: Re-Visions of Shakespeare from Voltaire to Ducis
- ‘I covet your skull’: Death and Desire in Hamlet
- Martin Droeshout Redivivus: Reassessing the Folio Engraving of Shakespeare
- Canonizing Shakespeare: The Passionate Pilgrim, England’s Helicon and the Question of Authenticity
- Rereading Shakespeare: The Example of Richard Brathwait
- Shakespeare Performances in England, 2006: January 2006
- Professional Shakespeare Productions in the British Isles January–December 2005
- he Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare in Performance
- 3 Editions and Textual Studies
- Index
Summary
John Foxe’s account of the life of Thomas Cromwell, Lord Chancellor to King Henry VIII, includes an episode which, ‘though it be somewhat long, with the circumstances and all’, Foxe deems worth our attention. It is the story of how Cromwell helped Cranmer’s secretary. In 1540, the twenty-first year of his reign, King Henry pushed the so-called Six Articles through Parliament, ‘much agaynst the mind and contrary to the consent of the Archbishop of Canterbury Thomas Cranmer, who had disputed three daies agaynst the same in the Parliament house, with great reasons and authorities’. Henry asked to see Cranmer’s objections in writing, presumably without the slightest intention of being swayed by the Archbishop’s opinion but because of ‘the singular favour which he ever bare to Cranmer, and reverence to his learning’. Whereupon Cranmer ‘collecting both his arguments, authorities of Scriptures, and Doctors together, caused his Secretary to write a fayre booke thereof for the king, after his order’ (1185).
Complications ensued, and with them the story proper begins. Due to a series of trivial mishaps involving a locked closet, a missing key and a visiting father from the country, the secretary, instead of having deposited the book in a safe place, finds himself in a wherry on the Thames with his precious and, of course, highly incendiary parcel ‘thrust [. . .] under his girdle’. With him in the boat, bound from Westminster Bridge to St Paul’s Wharf, are four yeomen of the guard. As it happens, the King himself is in his barge on the river as well, ‘with a great number of Barges and boates about him’ (1185), watching a bear being baited in the water. The guardsmen, overriding the secretary’s wish to make directly for St Paul’s Wharf, decide to stop and watch. Using their poleaxes, they manoeuvre the wherry so far into the throng, ‘that being compassed with many other whirryes and boates, there was no refuge if the Beare should break loose and come upon them; as in very deede within one pater-noster’ the bear does.
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- Shakespeare Survey , pp. 118 - 129Publisher: Cambridge University PressPrint publication year: 2007