Book contents
- Frontmatter
- Shakespeare the Historian
- The Decline of the Chronicle and Shakespeare's History Plays
- Rites of Oblivion in Shakespearian History Plays
- Richard II's Yorkist Editors
- Mapping the Globe: The Cartographic Gaze and Shakespeare's Henry IV Part 1
- Falstaff's Belly: Pathos, Prosthetics and Performance
- ‘And is Old Double Dead?’: Nation and Nostalgia in Henry IV Part 2
- Performing the Conflated Text of Henry IV: The Fortunes of Part Two
- Medley History: The Famous Victories of Henry the Fifth to Henry V
- Georgic Sovereignty in Henry V
- The Troublesome Reign, Richard II, and the Date of King John: A Study in Intertextuality
- The Trials of Queen Katherine in Henry VIII
- ‘Watch Out for Two-handed Swords’: Double-Edged Poetics in Howard Barker's Henry V in Two Parts (1971)
- Daunted at a Woman's Sight?: The Use and Abuse of Female Presence in Performances of the Histories as Cycles
- The RSC's ‘Glorious Moment’ and the Making of Shakespearian History
- Shakespeare as War Memorial: Remembrance and commemoration in the Great War
- Shakespearian Biography, Biblical Allusion and Early Modern Practices of Reading Scripture
- Filling in the ‘Wife-Shaped Void’: The Contemporary Afterlife of Anne Hathaway
- Shakespeare and Machiavelli: A Caveat
- Shame and Reflection in Montaigne and Shakespeare
- Playing the Law for Lawyers: Witnessing, Evidence and the Law of Contract in The Comedy of Errors
- Shakespeare's Narcissus: Omnipresent Love in Venus and Adonis
- Surface Tensions: Ceremony and Shame in Much Ado About Nothing
- ‘Remember Me’: Shylock on the Postwar German Stage
- ‘Dangerous and Rebel Prince’: A Television Adaptation of Hamlet in Late Francoist Spain
- What Shakespeare Did with the Queen's Men's King Leir and When
- Re-cognizing Leontes
- Shakespeare Performances in England 2009
- Professional Shakespeare Productions in the British Isles, January–December 2008
- The Year's Contribution to Shakespeare Studies 1 Critical Studies
- 2 Shakespeare in Performance
- 3 Editions and Textual Studies
- Index to Volume 63
Mapping the Globe: The Cartographic Gaze and Shakespeare's Henry IV Part 1
Published online by Cambridge University Press: 28 November 2010
- Frontmatter
- Shakespeare the Historian
- The Decline of the Chronicle and Shakespeare's History Plays
- Rites of Oblivion in Shakespearian History Plays
- Richard II's Yorkist Editors
- Mapping the Globe: The Cartographic Gaze and Shakespeare's Henry IV Part 1
- Falstaff's Belly: Pathos, Prosthetics and Performance
- ‘And is Old Double Dead?’: Nation and Nostalgia in Henry IV Part 2
- Performing the Conflated Text of Henry IV: The Fortunes of Part Two
- Medley History: The Famous Victories of Henry the Fifth to Henry V
- Georgic Sovereignty in Henry V
- The Troublesome Reign, Richard II, and the Date of King John: A Study in Intertextuality
- The Trials of Queen Katherine in Henry VIII
- ‘Watch Out for Two-handed Swords’: Double-Edged Poetics in Howard Barker's Henry V in Two Parts (1971)
- Daunted at a Woman's Sight?: The Use and Abuse of Female Presence in Performances of the Histories as Cycles
- The RSC's ‘Glorious Moment’ and the Making of Shakespearian History
- Shakespeare as War Memorial: Remembrance and commemoration in the Great War
- Shakespearian Biography, Biblical Allusion and Early Modern Practices of Reading Scripture
- Filling in the ‘Wife-Shaped Void’: The Contemporary Afterlife of Anne Hathaway
- Shakespeare and Machiavelli: A Caveat
- Shame and Reflection in Montaigne and Shakespeare
- Playing the Law for Lawyers: Witnessing, Evidence and the Law of Contract in The Comedy of Errors
- Shakespeare's Narcissus: Omnipresent Love in Venus and Adonis
- Surface Tensions: Ceremony and Shame in Much Ado About Nothing
- ‘Remember Me’: Shylock on the Postwar German Stage
- ‘Dangerous and Rebel Prince’: A Television Adaptation of Hamlet in Late Francoist Spain
- What Shakespeare Did with the Queen's Men's King Leir and When
- Re-cognizing Leontes
- Shakespeare Performances in England 2009
- Professional Shakespeare Productions in the British Isles, January–December 2008
- The Year's Contribution to Shakespeare Studies 1 Critical Studies
- 2 Shakespeare in Performance
- 3 Editions and Textual Studies
- Index to Volume 63
Summary
Throughout much of the 1570s, Christopher Saxton must have had terrible muscle aches. Day after day, week after week, he marched through the English countryside and climbed the steepest hills; yet he was not seeking personal pleasure but was on a mission: Saxton was the first map-maker in a modern sense to be sent out by an English monarch to measure the extent of the kingdom. His project – a collection of detailed maps created with the help of the latest technology available – was intended to contribute to the aggrandizement, or cult, of Queen Elizabeth, and his maps were supposed to show the vast spatial extent of her power. Thus, it was for political reasons that Saxton grew blisters on his feet – and, indeed, map-making turned out to be political, albeit with the result, at least in the long run, not quite hoped for by Elizabeth. We do not know how content she was with Saxton's maps when they were published in 1579; we do know, however, that neither Elizabeth nor her successor James I funded any of the great cartographic projects that were to follow. None of the major map-makers of late sixteenth-century England, such as William Camden, John Speed or John Norden, received royal funding as Saxton had. Obviously at some point in the late sixteenth century, map-making had gone wrong in the eyes of English monarchy. But where exactly?
An answer emerges when we take a closer look at some of these projects, following for a moment Richard Helgerson’s illuminating discussion of them. My first images show the frontispiece and one sheet of Saxton’s ground-breaking Atlas of England and Wales (Illustrations 1 and 2). As Helgerson forcefully reminds us, the fact that this project was funded by the government and designed as a survey of the queen’s property shows in the map itself. The monarchic claim to the country is clearly visible: each sheet is dominated by the royal arms, reminding readers, as they turn the pages and move from county to county, that each belongs to the queen.
- Type
- Chapter
- Information
- Shakespeare Survey , pp. 49 - 62Publisher: Cambridge University PressPrint publication year: 2010