Book contents
- Frontmatter
- Professional Players in the Guild Hall, Stratford-upon-Avon, 1568–1597
- Reconstructing The Rose: Development of the Playhouse Building between 1587 and 1592
- The Rose and its Stages
- Philip Henslowe and the Elizabethan Court
- From Revels to Revelation: Shakespeare and the Mask
- Bride-ing the Shrew: Costumes that Matter
- ‘When Men and Women are Alone’: Framing the Taming in India
- The Crown and the Pillow: Royal Properties in Henry IV
- Humanity at Stake: Man and Animal in Shakespeare’s Theatre
- Popular Shakespeare in Japan
- ‘Philosophy in a Gorilla Suit’: Do Shakespearians Perform or Just Perform-a-tive?
- Sudokothellophobia: Writing Hypertextually, Performatively
- Living Monuments: The Spatial Politics of Shakespeare’s Rome on the Contemporary Stage
- ‘In Windsor Forest and at the Boar’s Head’: The ‘Falstaff Plays’ and English Music in the Early Twentieth Century
- Michael Bogdanov in Conversation
- The Mouse and the Urn: Re-Visions of Shakespeare from Voltaire to Ducis
- ‘I covet your skull’: Death and Desire in Hamlet
- Martin Droeshout Redivivus: Reassessing the Folio Engraving of Shakespeare
- Canonizing Shakespeare: The Passionate Pilgrim, England’s Helicon and the Question of Authenticity
- Rereading Shakespeare: The Example of Richard Brathwait
- Shakespeare Performances in England, 2006: January 2006
- Professional Shakespeare Productions in the British Isles January–December 2005
- he Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare in Performance
- 3 Editions and Textual Studies
- Index
Professional Shakespeare Productions in the British Isles January–December 2005
Published online by Cambridge University Press: 28 November 2007
- Frontmatter
- Professional Players in the Guild Hall, Stratford-upon-Avon, 1568–1597
- Reconstructing The Rose: Development of the Playhouse Building between 1587 and 1592
- The Rose and its Stages
- Philip Henslowe and the Elizabethan Court
- From Revels to Revelation: Shakespeare and the Mask
- Bride-ing the Shrew: Costumes that Matter
- ‘When Men and Women are Alone’: Framing the Taming in India
- The Crown and the Pillow: Royal Properties in Henry IV
- Humanity at Stake: Man and Animal in Shakespeare’s Theatre
- Popular Shakespeare in Japan
- ‘Philosophy in a Gorilla Suit’: Do Shakespearians Perform or Just Perform-a-tive?
- Sudokothellophobia: Writing Hypertextually, Performatively
- Living Monuments: The Spatial Politics of Shakespeare’s Rome on the Contemporary Stage
- ‘In Windsor Forest and at the Boar’s Head’: The ‘Falstaff Plays’ and English Music in the Early Twentieth Century
- Michael Bogdanov in Conversation
- The Mouse and the Urn: Re-Visions of Shakespeare from Voltaire to Ducis
- ‘I covet your skull’: Death and Desire in Hamlet
- Martin Droeshout Redivivus: Reassessing the Folio Engraving of Shakespeare
- Canonizing Shakespeare: The Passionate Pilgrim, England’s Helicon and the Question of Authenticity
- Rereading Shakespeare: The Example of Richard Brathwait
- Shakespeare Performances in England, 2006: January 2006
- Professional Shakespeare Productions in the British Isles January–December 2005
- he Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare in Performance
- 3 Editions and Textual Studies
- Index
Summary
Most of the productions listed are by professional companies, but some amateur productions are included. The information is taken from Touchstone ( www.touchstone.bham.ac.uk ), a Shakespeare website maintained by the Shakespeare Institute Library. Touchstone includes a monthly list of current and forthcoming UK Shakespeare productions from listings information. The websites provided for theatre companies were accurate at the time of going to press.
ANTONY AND CLEOPATRA
Royal Exchange Theatre Company. Royal Exchange, Manchester, 23 February–9 April.
www.royalexchange.co.uk
Director: Braham Murray
Antony: Tom Mannion
Cleopatra: Josette Bushell-Mingo
AS YOU LIKE IT
Young Vic Theatre Company.Wyndham’s Theatre, London, 3 June–3 September.
www.youngvic.org
Director: David Lan
Rosalind: Helen McCrory
Celia: Sienna Miller
Set in 1940s France.
Creation Theatre Company. Headington Hill Park, Oxford, 3 June–9 August.
www.creationtheatre.co.uk
Director: Charlotte Conquest
Royal Shakespeare Company. Royal Shakespeare Theatre, Stratford-upon-Avon, 5 August–13 October.
www.rsc.org.uk
Director: Dominic Cooke
Rosalind: Lia Williams
Nottingham Playhouse and Belgrade Theatre, Coventry. Royal Lyceum, Edinburgh, 17 September–15 October.
www.lyceum.org.uk
Director: Mark Thomson
Rosalind: Emma Cunniffe
- Type
- Chapter
- Information
- Shakespeare Survey , pp. 320 - 329Publisher: Cambridge University PressPrint publication year: 2007