Book contents
- Frontmatter
- Shakespeare’s Earliest Tragedies: ‘Titus Andronicus’ and ‘Romeo and Juliet’
- The Aesthetics of Mutilation in ‘Titus Andronicus’
- The Motif of Psychic Division in ‘Richard III’
- The Antic Disposition of Richard II
- The Prince of Denmark and Claudius’s Court
- ‘Hamlet’ and the ‘Moriae Encomium’
- The Relation of Henry V to Tamburlaine
- Shakespeare and the Puritan Dynamic
- Equity, ‘The Merchant of Venice’ and William Lambarde
- ‘Love’s Labour’s Won’ and the Occasion of ‘Much Ado’
- The Date and Production of ‘Timon’ Reconsidered
- Shakespeare, Her Majesty’s Players and Pembroke’s Men
- Judi dench talks to Gareth Lloyd Evans
- Shakespeare Straight and Crooked: A Review of the 1973 Season at Stratford
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times, and Stage
- 3 Textual Studies
- Index
- Plate section
Shakespeare, Her Majesty’s Players and Pembroke’s Men
Published online by Cambridge University Press: 28 March 2007
- Frontmatter
- Shakespeare’s Earliest Tragedies: ‘Titus Andronicus’ and ‘Romeo and Juliet’
- The Aesthetics of Mutilation in ‘Titus Andronicus’
- The Motif of Psychic Division in ‘Richard III’
- The Antic Disposition of Richard II
- The Prince of Denmark and Claudius’s Court
- ‘Hamlet’ and the ‘Moriae Encomium’
- The Relation of Henry V to Tamburlaine
- Shakespeare and the Puritan Dynamic
- Equity, ‘The Merchant of Venice’ and William Lambarde
- ‘Love’s Labour’s Won’ and the Occasion of ‘Much Ado’
- The Date and Production of ‘Timon’ Reconsidered
- Shakespeare, Her Majesty’s Players and Pembroke’s Men
- Judi dench talks to Gareth Lloyd Evans
- Shakespeare Straight and Crooked: A Review of the 1973 Season at Stratford
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times, and Stage
- 3 Textual Studies
- Index
- Plate section
Summary
The history of the Queen’s Men spans the years 1583–92. After that date the remnants of what was for a time the first acting company in the land are like the down-at-heels players in Histrio-mastix ‘that travel with pumps full of gravell’ carrying their few props and costumes, and performing ‘base-brown-paper-stuffe’. The decade in which the Queen’s Men were most influential coincides so exactly with the most obscure period of William Shakespeare’s life that the possibility of Shakespeare’s having received his introduction to the theater as a trainee with them is worthy of close scrutiny.
Shakespeare probably joined a troupe of actors sometime shortly after leaving Stratford about the mid 1580s; in any case, his talent and success were sufficiently recognized by 1592 for him to be attacked in print as an upstart, 'the onely Shakescene in a country'. But what company did he join and in what capacity? J. Q. Adams suggests that Shakespeare received his training with Pembroke's Men as a hireling, first cast in minor roles - this, at least, would parallel the careers of such actor-playwrights as Thomas Heywood and Samuel Rowley. A. F. Pollard claimed Shakespeare was a member of Leicester's company about 1587; T. W. Baldwin, interpreting the 'Shakescene' passage, finds it an attack on Shakespeare and his company, Strange's Men.
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- Information
- Shakespeare Survey , pp. 129 - 136Publisher: Cambridge University PressPrint publication year: 1974
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