Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-94fs2 Total loading time: 0 Render date: 2024-11-12T20:06:48.275Z Has data issue: false hasContentIssue false

2 - Shakespeare in performance

Published online by Cambridge University Press:  28 November 2009

Peter Holland
Affiliation:
University of Notre Dame, Indiana
Get access

Summary

Two books, particularly significant in that they will stimulate and enable new work, locate performance authority in two different agents. John Russell Brown’s The Routledge Companion to Directors’ Shakespeare gathers thirty-one contributors each writing on a single director judged to be innovative in his (usually – on this more later) own time, to have a canon of work spanning some years to show development or change, and to have influenced other directors. Some of the figures highlighted are expected: it is good to have Maria Shevtsova’s account of Peter Brook’s working methods, and to read Matthew Wilson Smith’s reconstruction of the political and technical genesis of Orson Welles’s Harlem Macbeth. I for one was less familiar with some of the European directors selected: the work of Roger Planchon, including a prominent Henry IV in Lyons, or the importance of Giorgio Strehler to Italian dramatizations of Shakespeare with his commedia dell’arte Trinculo and Stephano (a relief from their so often being Scottish) and Brechtian Coriolanus. Some contributors have the knack of bringing productions into visual life – Carol Rutter on Deborah Warner’s Titus Andronicus, for example – although the understandable pragmatic decision not to include photographs does mean that a number of the productions cited remain very two-dimensional. The choice of subjects fills in some mid-century gaps with Guthrie, Byam Shaw, Iden Payne and Granville Barker all getting proper attention to their impact. Some directors are more familiar to English-speaking readers in relation to specific performances, and here the narrative accounts helpfully situate, say, Peter Zadek’s challenging Othello as a ‘Shakespearenegro, not a real one’ in the context of a longer career of engagement with Shakespeare’s plays in Hamburg, Berlin and Vienna. Directors known largely for Shakespeare films – Zeffirelli, Welles, Taymor – have their familiar and accessible cinema work revealingly reinstated alongside past theatrical explorations.

Type
Chapter
Information
Shakespeare Survey , pp. 414 - 420
Publisher: Cambridge University Press
Print publication year: 2009

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×