Book contents
- Frontmatter
- Shakespeare and the Media of Film, Radio and Television: A Retrospect
- Shakespeare on the Screen: A Selective Filmography
- Chimes at Midnight from Stage to Screen: The Art of Adaptation
- Orson Welles’s Othello: A Study of Time in Shakespeare’s Tragedy
- Macbeth on Film: Politics
- Representing King Lear on Screen: From Metatheatre to ‘Meta-cinema’
- Verbal-Visual, Verbal-Pictorial or Textual-Televisual? Reflections on the BBC Shakespeare Series
- Two Types of Television Shakespeare
- Shakespeare on Radio
- The Dismemberment of Orpheus: Mythic Elements in Shakespeare’s Romances
- Remembering Hamlet: or, How it Feels to Go Like a Crab Backwards
- ‘Then murder’s out of tune’: The Music and Structure of Othello
- The 'Aeneid' in 'The Tempest'
- The Living Dramatist and Shakespeare: A Study of Shakespeare’s Influence on Wole Soyinka
- Shakespeare at Stratford, Ontario: The John Hirsch years
- Shakespeare Performances in London and Stratford-upon-Avon 1984–5
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times, and Stage
- 3 Editions and Textual Studies
- Index
2 - Shakespeare’s Life, Times, and Stage
Published online by Cambridge University Press: 28 March 2007
- Frontmatter
- Shakespeare and the Media of Film, Radio and Television: A Retrospect
- Shakespeare on the Screen: A Selective Filmography
- Chimes at Midnight from Stage to Screen: The Art of Adaptation
- Orson Welles’s Othello: A Study of Time in Shakespeare’s Tragedy
- Macbeth on Film: Politics
- Representing King Lear on Screen: From Metatheatre to ‘Meta-cinema’
- Verbal-Visual, Verbal-Pictorial or Textual-Televisual? Reflections on the BBC Shakespeare Series
- Two Types of Television Shakespeare
- Shakespeare on Radio
- The Dismemberment of Orpheus: Mythic Elements in Shakespeare’s Romances
- Remembering Hamlet: or, How it Feels to Go Like a Crab Backwards
- ‘Then murder’s out of tune’: The Music and Structure of Othello
- The 'Aeneid' in 'The Tempest'
- The Living Dramatist and Shakespeare: A Study of Shakespeare’s Influence on Wole Soyinka
- Shakespeare at Stratford, Ontario: The John Hirsch years
- Shakespeare Performances in London and Stratford-upon-Avon 1984–5
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times, and Stage
- 3 Editions and Textual Studies
- Index
Summary
The year’s most substantial contribution to our thinking on the shape of Shakespeare’s life and career is E. A. J. Honigmann’s Shakespeare: The ‘Lost Years’. Professor Honigmann has resurrected the suggestion first made by Oliver Baker in 1937, and later supported by E. K. Chambers, that the ‘William Shake-shafte’ mentioned in the 1581 will of Alexander Hoghton of Lea (in Lancashire) is in fact William Shakespeare. Douglas Hamer supposedly refuted the theory in 1970, but Professor Honigmann certainly knocks enough holes in that refutation to make a reopening of the case worthwhile; and in establishing a plausible Lancashire connection for Shakespeare – John Cottom, one of the Stratford schoolmasters during Shakespeare’s teens, was a native of Tarnacre, only ten miles from Hoghton’s Lea – he offers a possible answer to one of the more awkward questions posed by the whole proposition: why should a Midlander born and bred seek employment in the wilds of Lancashire? A further decisive factor would almost certainly have to be Roman Catholicism, since there is no doubt that the Cottom and Hoghton families, and their principal neighbours, had strong Catholic connections.
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- Information
- Shakespeare Survey , pp. 223 - 236Publisher: Cambridge University PressPrint publication year: 1987