Book contents
- Frontmatter
- Reconstructing Shakespeare, or Harlotry in Bardolatry
- Playing Shakespeare
- Take me to your Leda
- Sign Theory and Shakespeare
- Time in Richard III
- New Concepts of Staging A Midsummer Night’s Dream
- Henry V as Working-House of Ideology
- Shakespeare and his Sources: Observations on the Critical History of Julius Caesar
- The Speculative Eye: Problematic Self-Knowledge in Julius Caesar
- Learning by Talking: Conversation in As You Like It
- Measure for Measure: Mirror for Mirror
- Allegory and Irony in Othello
- Cruelty, King Lear and the South African Land Act 1913
- The Rationale of Current Bibliographical Methods: Printing House Studies, Computer-Aided Compositor Studies, and the Use of Statistical Methods
- Shakespeare’s Late Plays at Stratford, Ontario
- Shakespeare Performances in London, Manchester and Stratford-upon-Avon 1985–6
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times, and Stage
- 3 Editions and Textual Studies
- Index
2 - Shakespeare’s Life, Times, and Stage
Published online by Cambridge University Press: 28 March 2007
- Frontmatter
- Reconstructing Shakespeare, or Harlotry in Bardolatry
- Playing Shakespeare
- Take me to your Leda
- Sign Theory and Shakespeare
- Time in Richard III
- New Concepts of Staging A Midsummer Night’s Dream
- Henry V as Working-House of Ideology
- Shakespeare and his Sources: Observations on the Critical History of Julius Caesar
- The Speculative Eye: Problematic Self-Knowledge in Julius Caesar
- Learning by Talking: Conversation in As You Like It
- Measure for Measure: Mirror for Mirror
- Allegory and Irony in Othello
- Cruelty, King Lear and the South African Land Act 1913
- The Rationale of Current Bibliographical Methods: Printing House Studies, Computer-Aided Compositor Studies, and the Use of Statistical Methods
- Shakespeare’s Late Plays at Stratford, Ontario
- Shakespeare Performances in London, Manchester and Stratford-upon-Avon 1985–6
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times, and Stage
- 3 Editions and Textual Studies
- Index
Summary
William Shakespeare: His World, His Work, His Influence, edited by John F. Andrews, is, like its subject, almost too vast to contemplate in its entirety: a collection of 60 essays by leading scholars and notable creative and interpretative artists, covering most conceivable aspects of the phenomenon that is Shakespeare and running, in three volumes, to some 950 elegantly presented double-column folio pages. It is a monument and, at (I am told) £180, an expensive one; like most monuments, I fear, it will not lack for detractors. I hope I shall not be seen as one of those, since I want to stress that there is much here that is valuable, as one would expect from an undertaking supervised by the former editor of Shakespeare Quarterly. But there are bound to be doubts about the style and substance of volumes like these, centring on the question of the readership to which they are addressed and the sumptuousness of their presentation. Dr Andrews says they are ‘designed to provide a multifaceted twentieth-century view of Shakespeare for the same kind of audience the compilers of the First Folio addressed in 1623 as “the great variety of readers” ’ (p. viii), and I suppose it may be argued that that estimable volume was not published cheaply either. But the force of his rationale is for an exercise in popular publishing, something along the lines of the Pelican or Sphere Guides to English Literature though focusing exclusively on Shakespeare and Shakespeariana.
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- Chapter
- Information
- Shakespeare Survey , pp. 211 - 224Publisher: Cambridge University PressPrint publication year: 1988