Book contents
- Frontmatter
- Shakespeare and the Living Dramatist
- Blood and Wine: Tragic Ritual from Aeschylus to Soyinka
- Hamlet Andante/Hamlet Allegro: Tom Stoppard’s Two Versions
- Auden, Shakespeare, and the Defence of Poetry
- Graves on Lovers, and Shakespeare at a Lovers’ Funeral
- Tragic Balance in Hamlet
- Hamlet Across Space and Time
- Shakespeare’s Scripts and the Modern Director
- ‘He Shall Live a Man Forbid’: Ingmar Bergman’s Macbeth
- Komisarjevsky at Stratford-upon-Avon
- Troilus and Cressida and the Definition of Beauty
- The Pastoral Reckoning in Cymbeline
- New Created Creatures: Ralph Crane and the Stage Directions in The Tempest
- Arden of Faversham
- ‘Pickleherring’ and English Actors in Germany
- Shakespeare Performances in Stratford-upon-Avon and London, 1981–2
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times and Stage
- 3 Textual Studies
- Index
- Plate Section
2 - Shakespeare’s Life, Times and Stage
Published online by Cambridge University Press: 28 March 2007
- Frontmatter
- Shakespeare and the Living Dramatist
- Blood and Wine: Tragic Ritual from Aeschylus to Soyinka
- Hamlet Andante/Hamlet Allegro: Tom Stoppard’s Two Versions
- Auden, Shakespeare, and the Defence of Poetry
- Graves on Lovers, and Shakespeare at a Lovers’ Funeral
- Tragic Balance in Hamlet
- Hamlet Across Space and Time
- Shakespeare’s Scripts and the Modern Director
- ‘He Shall Live a Man Forbid’: Ingmar Bergman’s Macbeth
- Komisarjevsky at Stratford-upon-Avon
- Troilus and Cressida and the Definition of Beauty
- The Pastoral Reckoning in Cymbeline
- New Created Creatures: Ralph Crane and the Stage Directions in The Tempest
- Arden of Faversham
- ‘Pickleherring’ and English Actors in Germany
- Shakespeare Performances in Stratford-upon-Avon and London, 1981–2
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times and Stage
- 3 Textual Studies
- Index
- Plate Section
Summary
The three categories specified in the title of this review are difficult to distinguish and still more difficult to delimit: how does one trace the circumference of a circle in the water? As I write, for instance, the Times Literary Supplement is the scene of a mild scholarly debate, caused by Eric Sams’s contention that Shakespeare might have written Edmund Ironside during the so-called ‘missing years’ before the first mention of him in Greene’s Groatsworth of Wit. Whether this news item belongs to Shakespeare’s Life or only to his Times depends on how one feels about the argument. Like many others, I rushed out and read the play at once: it doesn’t sound much like Shakespeare, but then the argument is that early Shakespeare wouldn’t have sounded like Shakespeare anyway. Less subjective rebuttals (based on the Common Source argument) have since appeared; Sams has replied to these; and I suspect that the excitement will have died down by the time this is read.
- Type
- Chapter
- Information
- Shakespeare Survey , pp. 172 - 181Publisher: Cambridge University PressPrint publication year: 1983