Book contents
- Frontmatter
- Shakespeare the Historian
- The Decline of the Chronicle and Shakespeare's History Plays
- Rites of Oblivion in Shakespearian History Plays
- Richard II's Yorkist Editors
- Mapping the Globe: The Cartographic Gaze and Shakespeare's Henry IV Part 1
- Falstaff's Belly: Pathos, Prosthetics and Performance
- ‘And is Old Double Dead?’: Nation and Nostalgia in Henry IV Part 2
- Performing the Conflated Text of Henry IV: The Fortunes of Part Two
- Medley History: The Famous Victories of Henry the Fifth to Henry V
- Georgic Sovereignty in Henry V
- The Troublesome Reign, Richard II, and the Date of King John: A Study in Intertextuality
- The Trials of Queen Katherine in Henry VIII
- ‘Watch Out for Two-handed Swords’: Double-Edged Poetics in Howard Barker's Henry V in Two Parts (1971)
- Daunted at a Woman's Sight?: The Use and Abuse of Female Presence in Performances of the Histories as Cycles
- The RSC's ‘Glorious Moment’ and the Making of Shakespearian History
- Shakespeare as War Memorial: Remembrance and commemoration in the Great War
- Shakespearian Biography, Biblical Allusion and Early Modern Practices of Reading Scripture
- Filling in the ‘Wife-Shaped Void’: The Contemporary Afterlife of Anne Hathaway
- Shakespeare and Machiavelli: A Caveat
- Shame and Reflection in Montaigne and Shakespeare
- Playing the Law for Lawyers: Witnessing, Evidence and the Law of Contract in The Comedy of Errors
- Shakespeare's Narcissus: Omnipresent Love in Venus and Adonis
- Surface Tensions: Ceremony and Shame in Much Ado About Nothing
- ‘Remember Me’: Shylock on the Postwar German Stage
- ‘Dangerous and Rebel Prince’: A Television Adaptation of Hamlet in Late Francoist Spain
- What Shakespeare Did with the Queen's Men's King Leir and When
- Re-cognizing Leontes
- Shakespeare Performances in England 2009
- Professional Shakespeare Productions in the British Isles, January–December 2008
- The Year's Contribution to Shakespeare Studies 1 Critical Studies
- 2 Shakespeare in Performance
- 3 Editions and Textual Studies
- Index to Volume 63
The Troublesome Reign, Richard II, and the Date of King John: A Study in Intertextuality
Published online by Cambridge University Press: 28 November 2010
- Frontmatter
- Shakespeare the Historian
- The Decline of the Chronicle and Shakespeare's History Plays
- Rites of Oblivion in Shakespearian History Plays
- Richard II's Yorkist Editors
- Mapping the Globe: The Cartographic Gaze and Shakespeare's Henry IV Part 1
- Falstaff's Belly: Pathos, Prosthetics and Performance
- ‘And is Old Double Dead?’: Nation and Nostalgia in Henry IV Part 2
- Performing the Conflated Text of Henry IV: The Fortunes of Part Two
- Medley History: The Famous Victories of Henry the Fifth to Henry V
- Georgic Sovereignty in Henry V
- The Troublesome Reign, Richard II, and the Date of King John: A Study in Intertextuality
- The Trials of Queen Katherine in Henry VIII
- ‘Watch Out for Two-handed Swords’: Double-Edged Poetics in Howard Barker's Henry V in Two Parts (1971)
- Daunted at a Woman's Sight?: The Use and Abuse of Female Presence in Performances of the Histories as Cycles
- The RSC's ‘Glorious Moment’ and the Making of Shakespearian History
- Shakespeare as War Memorial: Remembrance and commemoration in the Great War
- Shakespearian Biography, Biblical Allusion and Early Modern Practices of Reading Scripture
- Filling in the ‘Wife-Shaped Void’: The Contemporary Afterlife of Anne Hathaway
- Shakespeare and Machiavelli: A Caveat
- Shame and Reflection in Montaigne and Shakespeare
- Playing the Law for Lawyers: Witnessing, Evidence and the Law of Contract in The Comedy of Errors
- Shakespeare's Narcissus: Omnipresent Love in Venus and Adonis
- Surface Tensions: Ceremony and Shame in Much Ado About Nothing
- ‘Remember Me’: Shylock on the Postwar German Stage
- ‘Dangerous and Rebel Prince’: A Television Adaptation of Hamlet in Late Francoist Spain
- What Shakespeare Did with the Queen's Men's King Leir and When
- Re-cognizing Leontes
- Shakespeare Performances in England 2009
- Professional Shakespeare Productions in the British Isles, January–December 2008
- The Year's Contribution to Shakespeare Studies 1 Critical Studies
- 2 Shakespeare in Performance
- 3 Editions and Textual Studies
- Index to Volume 63
Summary
Scholars continue to be increasingly aware of the extent to which Shakespeare habitually drew upon earlier drama for the verbal details, staging effects, dramatic situations, thematic ideas and even plot elements of his own plays. The playwright's use of prior dramas seems to have been especially pervasive among the chronicle histories. Much of this assimilation was undoubtedly unconscious, at least in the case of verbal echoes, since Shakespeare seems to have known many of the plays from practical experience in the theatre, although he probably consulted playbooks and even published dramas as well. It is well known, for example, that The Famous Victories of Henry the Fifth (c.1586) lies behind 1 and 2 Henry IV and Henry V, and many scholars believe that The True Tragedy of Richard III (1590–1) was a source for Shakespeare's play on the same subject. Despite MacDonald Jackson's strong argument that Woodstock (1592–3?) postdates Richard II (1595), many scholars still contend that Shakespeare echoed the anonymous play for his dramatization of Richard's fall; Marlowe's Edward II (1591–2) is also an undoubted source for numerous passages in the same play. And as I have recently argued, The True Chronicle History of King Leir (1589–93?) served the dramatist not only as a source for his most cataclysmic tragedy but also for the verbal texture of both Richard III and Richard II. Shakespeare seems to have imitated Kyd’s Spanish Tragedyfor at least one phrase referring to Richard II (‘that sweet lovely rose’) in 1 Henry IV (1.3.175).
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- Information
- Shakespeare Survey , pp. 127 - 148Publisher: Cambridge University PressPrint publication year: 2010