Skip to main content Accessibility help
×
Hostname: page-component-6bf8c574d5-k2jvg Total loading time: 0 Render date: 2025-03-03T19:59:00.213Z Has data issue: false hasContentIssue false

8 - Wielding the Scissors: Industry Politics and Play in Movie Magazines, 1933–1934

Published online by Cambridge University Press:  01 March 2025

Tamar Jeffers McDonald
Affiliation:
University of Brighton
Lies Lanckman
Affiliation:
University of the West of England, Bristol
Sarah Polley
Affiliation:
University of Kent, Canterbury
Get access

Summary

In 1937, American publisher Albert Griffith-Grey attempted to launch a new movie magazine. Introducing his new publication into an already crowded market, Griffith-Grey justified his venture by explaining that this was to be not just a new publication, but a new type of publication entirely: a movie magazine not designed for movie fans. Instead, his proposed publication would have ‘contents directed to the discriminating class’, as Film Daily noted (20 July 1936, 2).

Attempting to inaugurate a new kind of publication, Griffith-Grey seemed to have made assumptions about the gender of the usual readers of regular movie magazines:

CINEMA ARTS is a quality movie magazine (cinemagazine to you). It will attempt to do for the Cinema what FORTUNE has done for Industry and ESQUIRE for Men.

[…]

One thing we guarantee: You won't have to hide CINEMA ARTS under your arm when you meet a friend. Most likely, the friend will have one too … (LIFE, 7 June 1937, 5)

With its comparisons to male-oriented business and lifestyle magazines, and its promotion in ‘serious’ lifestyle magazine and trade journals, Cinema Arts set out to capture a serious-minded cultural readership. Larger, more high-minded, and more expensive than its rivals on newsstands, Cinema Arts lasted for just three issues.

While much could be made of the circumstances surrounding Cinema Arts’ launch and sinking, including the misogynistic presumptions about its readership, I take Griffith-Grey's slight against the seriousness of the then contemporary movie fan magazines as a point of departure for this chapter, since my aim is to dispute the inevitable triviality of these publications. In doing this I will consciously delve into a particular recurring element of movie magazines, the prize competition for readers, which ostensibly bears out all Griffith-Grey's implicit snobbery, especially since, in the contest I will consider, the top prize was a one-week trip to Hollywood, and the runners-up awards included a refrigerator, a radio, and ten Max Factor make-up sets, all rewards likely to be coveted most by female readers.

Type
Chapter
Information
Stars, Fan Magazines and Audiences
Desire by Design
, pp. 158 - 176
Publisher: Edinburgh University Press
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×