Book contents
- Style and Meaning in Late Antique Art
- Style and Meaning in Late Antique Art
- Copyright page
- Dedication
- Contents
- Figures
- Acknowledgments
- Abbreviations
- Introduction
- Part I Moderns
- Part II Ancients
- Five The Styles of Mimesis
- Six Storytelling and the “Illusive Similitude of Life”
- Seven Ceremonial Images and the “Amplification of Good Things”
- Eight Portraits Civic and Sacred
- Conclusion
- Bibliography
- Index
Eight - Portraits Civic and Sacred
from Part II - Ancients
Published online by Cambridge University Press: 15 August 2024
Book contents
- Style and Meaning in Late Antique Art
- Style and Meaning in Late Antique Art
- Copyright page
- Dedication
- Contents
- Figures
- Acknowledgments
- Abbreviations
- Introduction
- Part I Moderns
- Part II Ancients
- Five The Styles of Mimesis
- Six Storytelling and the “Illusive Similitude of Life”
- Seven Ceremonial Images and the “Amplification of Good Things”
- Eight Portraits Civic and Sacred
- Conclusion
- Bibliography
- Index
Summary
Chapter Eight considers the interpretation of late antique portraiture in its broadest sense by examining fourth- and fifth-century honorific sculpture and early Christian icons from the period before Iconoclasm.
- Type
- Chapter
- Information
- Style and Meaning in Late Antique ArtAncients and Moderns on Seeing and Thinking, pp. 188 - 215Publisher: Cambridge University PressPrint publication year: 2024