Book contents
- The Stylistics of ‘You’
- The Stylistics of ‘You’
- Copyright page
- Contents
- Figures and Table
- Preface
- Acknowledgements
- 1 Theorising the ‘You Effects’
- PART I Singularising and Sharing
- 2 George Orwell’s Down and Out in Paris and London (1933)
- 3 Paul Auster’s Ordinary Life and Yours
- PART II The Role of ‘You’ in the Writing of Traumatic Events
- Part III The Author–Reader Channel across Time, Gender, Sex and Race
- PART IV New Ways of Implicating Through the Digital Medium?
- References
- Index
2 - George Orwell’s Down and Out in Paris and London (1933)
Putting Yourself in the Shoes of a Tramp
from PART I - Singularising and Sharing
Published online by Cambridge University Press: 06 January 2022
- The Stylistics of ‘You’
- The Stylistics of ‘You’
- Copyright page
- Contents
- Figures and Table
- Preface
- Acknowledgements
- 1 Theorising the ‘You Effects’
- PART I Singularising and Sharing
- 2 George Orwell’s Down and Out in Paris and London (1933)
- 3 Paul Auster’s Ordinary Life and Yours
- PART II The Role of ‘You’ in the Writing of Traumatic Events
- Part III The Author–Reader Channel across Time, Gender, Sex and Race
- PART IV New Ways of Implicating Through the Digital Medium?
- References
- Index
Summary
Chapter 2 delves into George Orwell’s use of the second-person pronoun in Down and Out in Paris and London published in 1933. It has been rarely noted in Orwell’s autobiographical essay and yet, alternating between the ‘I’ pronoun and the indefinite ‘one’, it uniquely brings the reader to more directly experience what other sentient beings living in deprivation are going through. A detailed quantitative as well as qualitative analysis is offered, classifying the different ‘you’ that pervade the text based on linguistic clues and contextual parameters, exposing all the plasticity of the pronoun. The results show that ‘you’ oscillates between specificity and genericity in a way subtly exploited by Orwell in his attempt at implicating the reader in re-living his experience as a tramp through writing about it.
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- The Stylistics of ‘You'Second-Person Pronoun and its Pragmatic Effects, pp. 37 - 56Publisher: Cambridge University PressPrint publication year: 2022