Book contents
- Sylvia Plath in Context
- Sylvia Plath in Context
- Copyright page
- Contents
- Notes on Contributors
- Acknowledgements
- Chronology
- Abbreviations and Textual Note
- Key Archives
- Introduction
- Part I Literary Contexts
- Part II Literary Technique and Influence
- Chapter 6 Plath in the Context of Stevie Smith
- Chapter 7 Plath’s Whimsy
- Chapter 8 Sylvia Plath and You
- Chapter 9 Plath and the Lyric
- Chapter 10 Plath and the Pastoral
- Part III Cultural Contexts
- Part IV Sexual and Gender Contexts
- Part V Political and Religious Contexts
- Part VI Biographical Contexts
- Part VII Plath and Place
- Part VIII The Creative Afterlife
- Bibliography
- Index
Chapter 7 - Plath’s Whimsy
from Part II - Literary Technique and Influence
Published online by Cambridge University Press: 03 August 2019
- Sylvia Plath in Context
- Sylvia Plath in Context
- Copyright page
- Contents
- Notes on Contributors
- Acknowledgements
- Chronology
- Abbreviations and Textual Note
- Key Archives
- Introduction
- Part I Literary Contexts
- Part II Literary Technique and Influence
- Chapter 6 Plath in the Context of Stevie Smith
- Chapter 7 Plath’s Whimsy
- Chapter 8 Sylvia Plath and You
- Chapter 9 Plath and the Lyric
- Chapter 10 Plath and the Pastoral
- Part III Cultural Contexts
- Part IV Sexual and Gender Contexts
- Part V Political and Religious Contexts
- Part VI Biographical Contexts
- Part VII Plath and Place
- Part VIII The Creative Afterlife
- Bibliography
- Index
Summary
Will May returns us to Plath’s early reception, and finds there a vital but overlooked context for her work: the whimsical. Taking seriously Plath’s fascination with the unthreatening fantasy worlds of children’s stories and their attendant winsome philosophy, May rehabilitates a literary term that has often been used disparagingly by the Movement poets. Instead, he shows us how indebted Plath’s dark comedy and verbal games are to whimsy. With close attention to her children’s stories, May unveils Plath’s cultural conversation with the domestic, the miniature and the absurd, though she herself was disingenuous about her interventions with whimsy. May debunks any notion that Plath’s poetry and stories belong in separate spheres. Neither, he argues, does her children’s writing.
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- Information
- Sylvia Plath in Context , pp. 74 - 82Publisher: Cambridge University PressPrint publication year: 2019