Book contents
- Technology and Literature
- Cambridge Critical Concepts
- Technology and Literature
- Copyright page
- Contents
- Figures
- Contributors
- Timeline
- Introduction
- Part I Origins
- Part II Developments
- Chapter 8 Prostheses
- Chapter 9 Clocks
- Chapter 10 Compasses
- Chapter 11 Telescopes
- Chapter 12 Steam Engines
- Chapter 13 Wires
- Chapter 14 Cameras
- Chapter 15 Phonographs
- Chapter 16 Waves and Rays
- Chapter 17 The Bomb
- Chapter 18 Networks
- Part III Applications
- Index
Chapter 9 - Clocks
from Part II - Developments
Published online by Cambridge University Press: 30 November 2023
- Technology and Literature
- Cambridge Critical Concepts
- Technology and Literature
- Copyright page
- Contents
- Figures
- Contributors
- Timeline
- Introduction
- Part I Origins
- Part II Developments
- Chapter 8 Prostheses
- Chapter 9 Clocks
- Chapter 10 Compasses
- Chapter 11 Telescopes
- Chapter 12 Steam Engines
- Chapter 13 Wires
- Chapter 14 Cameras
- Chapter 15 Phonographs
- Chapter 16 Waves and Rays
- Chapter 17 The Bomb
- Chapter 18 Networks
- Part III Applications
- Index
Summary
This chapter focuses on the literary debates provoked by the appearance of mechanical clocks – and “clockworks” more generally – in medieval England. Invented in China in the eighth century, the first European mechanical clocks were manufactured in the early fourteenth century. The contemporaneous literary record shows that clocks did not immediately impose a secular conception of time that regulated human life; instead, the population of medieval Christian Europe continued to reckon time through cycles of light and dark and according to the liturgical calendar. Drawing on readings of Christine de Pizan, Philippe de Mézières, Jean Froissart, and Geoffrey Chaucer, Lightsey argues that clocks were primarily received in the time of their invention as mechanical wonders, and primarily employed as displays of wealth.
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- Technology and Literature , pp. 177 - 198Publisher: Cambridge University PressPrint publication year: 2023