Book contents
- Tom Stoppard in Context
- Frontispiece
- Tom Stoppard in Context
- Copyright page
- Contents
- Notes on Contributors
- Chronology
- Abbreviations
- Introduction
- Part I Origins
- Part II Influences
- Part III Ideas
- Part IV Aesthetics
- Part V Politics
- Part VI Page, Stage, and Screen
- Chapter 24 Post-War British Theatre
- Chapter 25 Acting in Stoppard
- Chapter 26 Adaptations
- Chapter 27 Journalism and Criticism
- Chapter 28 Stoppard’s Novel
- Chapter 29 Radio and Television
- Chapter 30 Screenwriting
- Chapter 31 Stoppard’s Archives
- Further Reading
- Index
Chapter 24 - Post-War British Theatre
from Part VI - Page, Stage, and Screen
Published online by Cambridge University Press: 09 June 2021
- Tom Stoppard in Context
- Frontispiece
- Tom Stoppard in Context
- Copyright page
- Contents
- Notes on Contributors
- Chronology
- Abbreviations
- Introduction
- Part I Origins
- Part II Influences
- Part III Ideas
- Part IV Aesthetics
- Part V Politics
- Part VI Page, Stage, and Screen
- Chapter 24 Post-War British Theatre
- Chapter 25 Acting in Stoppard
- Chapter 26 Adaptations
- Chapter 27 Journalism and Criticism
- Chapter 28 Stoppard’s Novel
- Chapter 29 Radio and Television
- Chapter 30 Screenwriting
- Chapter 31 Stoppard’s Archives
- Further Reading
- Index
Summary
Stoppard has often distanced himself from his contemporaries and the central stories of British playwriting. When the new playwriting that caught most critical attention was coming from the political left, Stoppard occupied a position on the right. Stoppard has affiliations with a separate tendency in 1950s and 1960s British drama, that of British absurdism. Later in his career, the success of Arcadia, a play of both ideas and emotions, exerted considerable influence on British playwriting.
- Type
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- Information
- Tom Stoppard in Context , pp. 199 - 206Publisher: Cambridge University PressPrint publication year: 2021