Book contents
- Transnationalism in Irish Literature and Culture
- Cambridge Themes in Irish Literature and Culture
- Transnationalism in Irish Literature and Culture
- Copyright page
- Contents
- Acknowledgments
- Contributors
- Introduction: A Weak Theory of Transnationalism
- Part I Transnational Genealogies
- Part II Planets
- Part III Missed Translations
- Part IV Transnational Futures
- Chapter 13 Irish Fiction, Small Presses, and the World-System
- Chapter 14 Resources and Repertoires: Language in Irish Fiction after Globalization
- Chapter 15 Roots and Crowns: Race and Hair Culture in Traveller and Black Women’s Writing
- Chapter 16 Conflict and Care: Edna O’Brien’s Girl, Colum McCann’s Apeirogon, and the Limits of Interculturality
- Select Bibliography
- Index
Chapter 13 - Irish Fiction, Small Presses, and the World-System
from Part IV - Transnational Futures
Published online by Cambridge University Press: 13 November 2024
- Transnationalism in Irish Literature and Culture
- Cambridge Themes in Irish Literature and Culture
- Transnationalism in Irish Literature and Culture
- Copyright page
- Contents
- Acknowledgments
- Contributors
- Introduction: A Weak Theory of Transnationalism
- Part I Transnational Genealogies
- Part II Planets
- Part III Missed Translations
- Part IV Transnational Futures
- Chapter 13 Irish Fiction, Small Presses, and the World-System
- Chapter 14 Resources and Repertoires: Language in Irish Fiction after Globalization
- Chapter 15 Roots and Crowns: Race and Hair Culture in Traveller and Black Women’s Writing
- Chapter 16 Conflict and Care: Edna O’Brien’s Girl, Colum McCann’s Apeirogon, and the Limits of Interculturality
- Select Bibliography
- Index
Summary
This chapter examines the growth of small-press publishing in Ireland during the 2010s and early 2020s. It contextualizes the Irish small-press industry within three broad trends: 1) the global expansion of nonprofit small-press publishing from the 1980s to the present; 2) the Irish state’s financing of literary infrastructure (mostly in the form of strategic funding grants disbursed by the Arts Council of Ireland/An Chomhairle Ealaíon); and 3) the development of rights-sharing agreements between small-press publishers, such that several different small presses will release the same title simultaneously (or in near succession) in different countries. In mapping this global publishing system, the chapter shows how the much-lauded “golden age” of post-crash Irish fiction can be traced to market and institutional dynamics. Specifically, it describes how the consolidation of the international small-press industry has exerted a discernable influence on the aesthetics of contemporary Irish literature, with Irish literature evolving into a field in which certain international styles popular with Anglo-American small presses are cited, borrowed from, reworked, and made into something new.
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- Transnationalism in Irish Literature and Culture , pp. 245 - 262Publisher: Cambridge University PressPrint publication year: 2024