Book contents
- Victorian Automata
- Victorian Automata
- Copyright page
- Contents
- Figures
- Contributors
- Introduction
- An Afterthought on Victorian Automata as Afterthought (and Signifier)
- Part I Mechanical Automata
- Part II Automatism
- Chapter 4 The Dialectic of Automatism and Free Will
- Chapter 5 The Poetry of Conscious Automatism
- Chapter 6 “No Purpose, Heart or Mind or Will”
- Chapter 7 Creative Trollope
- Chapter 8 Darwin and Agency – Intention or Automatism?
- Part III Literary Genre and Popular Fiction
- Part IV Interactions
- Index
Chapter 7 - Creative Trollope
from Part II - Automatism
Published online by Cambridge University Press: 15 March 2024
- Victorian Automata
- Victorian Automata
- Copyright page
- Contents
- Figures
- Contributors
- Introduction
- An Afterthought on Victorian Automata as Afterthought (and Signifier)
- Part I Mechanical Automata
- Part II Automatism
- Chapter 4 The Dialectic of Automatism and Free Will
- Chapter 5 The Poetry of Conscious Automatism
- Chapter 6 “No Purpose, Heart or Mind or Will”
- Chapter 7 Creative Trollope
- Chapter 8 Darwin and Agency – Intention or Automatism?
- Part III Literary Genre and Popular Fiction
- Part IV Interactions
- Index
Summary
This chapter considers the ways in which Anthony Trollope at first defied but eventually exemplified alternate ideas of creativity for successive generations. With the appearance of each of his books, contemporaries acknowledged his almost continuous labor. Later critics agreed, using more psychological terms: If Trollope was a genius, his sort of genius bordered on automatism: habitual, lacking in forethought, and suspiciously unbeholden to inspiration. Through the first half of the twentieth century, Trollope’s writing process (as described in An Autobiography) and his prose were implicitly evaluated against two dichotomies permeating behavioral studies: The first pits introspection against habit, and the second sets remote against inhibited associations. Each dichotomy poses an invidious distinction between the first and second terms. An evaluation of Trollope’s composition and style within this framework yields differing models of creative writing.
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- Victorian AutomataMechanism and Agency in the Nineteenth Century, pp. 151 - 169Publisher: Cambridge University PressPrint publication year: 2024