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Published online by Cambridge University Press: 25 October 2017
ALL TITLES MARKED with * are presumed lost. Essential information about them has been obtained from contemporary reviews published primarily in Film-Kurier, Licht-Bild-Bühne, and the Frankfurter Zeitung, and from the plot synopses written by the German board of film censorship, the “Zensurkarten.”
Heimgefunden oder Von Stufe zu Stufe: Die Lebensbeichte einer Probiermamsell (1911, dir. unknown)
Gelbstern (1912, dir. Otto Rippert)*
Die Firma heiratet (1914, dir. Carl Wilhelm)*
Der Stolz der Firma (1914, dir. Carl Wilhelm)
Schuhpalast Pinkus (1916, dir. Ernst Lubitsch)
Der Blusenkönig (1917, dir. Ernst Lubitsch),* preserved only in fragments
Die Dame, der Teufel und die Probiermamsell (1919, dir. Rudolf Biebrach)
Die kleine Midinette (Erlauschtes aus der Konfektion) (1921, dir. Maurice Turner, pseudonym for Wolfgang Neff)*
Gelbstern: Erlebnisse einer Konfektioneuse (1921, dir. Wolfgang Neff)*
Yvette, Die Modeprinzessin (1922, dir. Friedrich Zelnik)*
Das Mädel aus dem Warenhaus (1923, dir. Franz Hofer)*
Die Kleine aus der Konfektion (also known as Großstadt-Kavaliere or Das Warenhausmädel) (1924, dir. Maurice Turner, pseudonym for Wolfgang Neff)*
Luxusweibchen (1925, dir. Erich Schönfelder)
Der Jüngling aus der Konfektion (1926, dir. Richard Löwenbein)*
Gräfin Plattmamsell (1926, dir. Constantin J. David)*
Die Warenhausprinzessin (1926, dir. Heinz Paul)*
Die drei Mannequins (Die drei Probiermamsells) (1926, dir. Jaap Speyer)*
Eine Dubary von heute (1926, dir. Alexander Korda)
Der Fürst von Pappenheim (1927, dir. Richard Eichberg)
Jennys Bummel durch die Männer (1929, dir. Jaap Speyer)*
Die Firma heiratet (1930, remake of the 1914 film, with sound, dir. Carl Wilhelm)*
Moritz macht sein Glück (1930, dir. Jaap Speyer)
Ich geh aus und du bleibst da (1931, dir. Hans Behrendt)
Frischer Wind aus Kanada (1935, dir. Erich Holder, Heinz Kenter)
In letzter Minute (1939, dir. Fritz Kirchhoff)
Das himmelblaue Abendkleid (1940, dir. Erich Engels)
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