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Published online by Cambridge University Press: 07 September 2011
It should be noted that additional cross-references are not as a rule here supplied; such aid to the study of Ruskin being abundantly given in the General Index.
Vol. I.
p. xxv., letter from Geneva. The date should be “May 31.”
xxxi., line 10, for “194, 197,” read “197, 201,” and dele “Figs. 29–31.”
xxxvii., 6 and 29. The Architectural Magazine stopped after January 1839.
xxxvii., 7, for “xlix.” read “xliv.”
xl., top. The effect of sky recorded in Ruskin's diary was afterwards noted by him in Draft ii. of Modern Painters, vol. i.
l., line 1, for “midnight” read “morning.”
lv., last line. It is interesting, as an indication of Ruskin's fidelity to nature, to compare Plate 12 (p. 184) with Plate vii. in Vol. XIV., which is from a photograph.
lvii., lines 24, 27, for “on” read “of.” The drawing in question is one of those to which Ruskin refers in Præterita, ii. § 38 (XXXV. 275), as “ extremely pleasant to most beholders.”
42, § 47. It may be noted that the ideas here expressed were developed in Seven Lamps, iii. § 11 (VIII. 113).
119, n.3, for “1833” read “1835.”
129, n.2. Mr. Wedderburn's drawing is given in this volume, Plate XV.
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