Book contents
- Writer and Occasion in Twelfth-Century Byzantium
- Frontispiece
- Writer and Occasion in Twelfth-Century Byzantium
- Copyright page
- Contents
- Acknowledgements
- A Note on Texts and Translations
- List of Abbreviations
- Chapter 1 The Authorial Voice of Occasional Literature
- Chapter 2 Praising the Emperor, Visualizing His City
- Chapter 3 The Occasion of Death
- Chapter 4 In Times of Trouble
- Chapter 5 On an Educational Note
- Chapter 6 Life, Love and the Past
- Chapter 7 Occasional Writing as a Creative Craft
- Bibliography
- Index locorum
- General Index
Chapter 7 - Occasional Writing as a Creative Craft
Published online by Cambridge University Press: 03 December 2020
- Writer and Occasion in Twelfth-Century Byzantium
- Frontispiece
- Writer and Occasion in Twelfth-Century Byzantium
- Copyright page
- Contents
- Acknowledgements
- A Note on Texts and Translations
- List of Abbreviations
- Chapter 1 The Authorial Voice of Occasional Literature
- Chapter 2 Praising the Emperor, Visualizing His City
- Chapter 3 The Occasion of Death
- Chapter 4 In Times of Trouble
- Chapter 5 On an Educational Note
- Chapter 6 Life, Love and the Past
- Chapter 7 Occasional Writing as a Creative Craft
- Bibliography
- Index locorum
- General Index
Summary
Chapter 7, the concluding chapter, discusses the literary production of Manasses in light of the observations made in the close readings throughout the monograph. Returning to the theoretical considerations of the functions of occasional literature, special attention is here devoted to certain aspects of Manasses’ production: the recycling of Graeco-Roman and biblical material and his own verses within and across genres. The economy of reusing motifs, words, expressions and verses is considered from the perspective of occasional literature written on commission or in the hope of achieving commissions, but also from an aesthetic viewpoint. The ways in which Manasses comments upon his own situation as a writer and inscribes his own authorship into his texts are seen as the conscious creation of an individual voice, but also as a reflection of the Komnenian trend towards poetic self-assertiveness.
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- Writer and Occasion in Twelfth-Century ByzantiumThe Authorial Voice of Constantine Manasses, pp. 170 - 190Publisher: Cambridge University PressPrint publication year: 2020