Book contents
- Frontmatter
- Contents
- Dedication
- Preface
- Chapter 1 The Deep Roots of a Career 1912–1920
- Chapter 2 Formation of a Musician in Barcelona 1921–1936
- Chapter 3 The Deluge 1936–1939
- Chapter 4 The Postguerra and Caribbean Breezes 1939–1953
- Chapter 5 Moving On 1953–1957
- Chapter 6 Consolidation 1958–1986
- Chapter 7 Postcards to Posterity 1991–2002
- Appendices
- Acknowledgments
- Works Principally Cited
- Index of Names
Chapter 3 - The Deluge 1936–1939
- Frontmatter
- Contents
- Dedication
- Preface
- Chapter 1 The Deep Roots of a Career 1912–1920
- Chapter 2 Formation of a Musician in Barcelona 1921–1936
- Chapter 3 The Deluge 1936–1939
- Chapter 4 The Postguerra and Caribbean Breezes 1939–1953
- Chapter 5 Moving On 1953–1957
- Chapter 6 Consolidation 1958–1986
- Chapter 7 Postcards to Posterity 1991–2002
- Appendices
- Acknowledgments
- Works Principally Cited
- Index of Names
Summary
Tres mesos després del Festival de la S.I.M.C., amb el preludi d'uns dies d'enorme tensió, va iniciar-se la guerra civil, que al començament ens havíem pensat que no passaria de guerrilla, però que de seguida es va desencadenar amb tota la seva fúria. Van ser més de trés anys de malson, de sofriments infinits, de desànim, túnel fosc, interval inacabable durant el qual la música va deixar d'existir per a mi, col·lapsada com tantes coses pel drama que ens queia a sobre.
Three months after the I.S.C.M. Festival, after the prelude of several days of high tension, the civil war broke out, which, at the beginning, we thought would not go beyond a few spats, but it suddenly set off in all its fury. There was a dark tunnel, an endless interval during which music ceased to exist for me, collapsed like so many things by the drama that fell down on us from above: more than three years of nightmare, of infinite suffering, of despair.
— Xavier Montsalvatge, 1991Something of the objective career-disruption of the Civil War, which is generally dated from July 17, 1936, can be seen in the fact that, at its outbreak, Montsalvatge was in the midst of writing a major ballet score, El àngel de la guarda (The Guardian Angel), which was finally completed as movements for piano in 1952.
The 24-year-old graduate of Barcelona's Conservatori Municipal was justified in seeing himself as a marked man in 1936, so any danger that would make him put off finishing his ballet was hardly a product of his imagination. Francisco Franco had raised a rebellion against the five-year-old Second Republic, and both history and his own ambitions caused him to regard the Catalans, especially those of Barcelona, with hostility. The passage of years since 1714 had not sufficed to reconcile the Catalans to the loss of their democratic rights. Even to this day they observe the date on which they lost them — September 11 — as their most solemn national commemoration. The majority of Catalans were ill-disposed to support an uprising that promised to integrate them even further into the culture of an authoritarian and Castilianizing force.
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- Xavier MontsalvatgeA Musical Life in Eventful Times, pp. 33 - 40Publisher: Boydell & BrewerPrint publication year: 2012