At first glance, nothing could be stranger than a paper discussing the relationship between Martín Fierro and peronism. It is not just the disparity of genres. The gulf of history that separates their worlds and styles appears to be unbridgeable. Martín Fierro is emblematic of the gaucho, the endless pampa, man alone, the pastoral economy, individualism and the search for personal transcendence. Peronismo, on the other hand, calls up images of the factory worker, the city, mass society, the industrial economy, corporatist idealogy and the struggle for collective salvation.
Despite these differences, however, Martín Fierro and peronismo are in both clear and complex ways of the same lineage and an analysis of their relationship illuminates both generations—and a century of Argentine social protest. The world's of Martín Fierro and peronismo may be different, but the line of descent that joins them is as clear as that which leads from Fierro's pampa milonga to the tango of porteño peronismo and as complex as that which runs from the singer in the pulpería to the orator in the Plaza de Mayo.