Hostname: page-component-6bf8c574d5-7jkgd Total loading time: 0 Render date: 2025-02-27T10:16:22.216Z Has data issue: false hasContentIssue false
  • English
  • Français

Martin Porter Windows of the soul. The art of physiognomy in European culture 1470-1780 Oxford, Clarendon Press, 2005, 386 p.

Published online by Cambridge University Press:  04 May 2017

Colin Jones
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Médecine/Santé (comptes rendus)
Information
Annales. Histoire, Sciences Sociales , Volume 62 , Issue 2 , April 2007 , pp. 450 - 452
Copyright
Copyright © Les Éditions de l’EHESS 2007

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 - Voir, parmi les publications les plus récentes, Cowling, Mary, The artist as anthropologist: The representation of type and character in Victorian art, Cambridge, Cambridge University Press, 1989 Google Scholar ; Hartley, Lucy, Physiognomy and the meaning of expression in nineteenth-century culture, Cambridge, Cambridge University Press, 2001 Google Scholar ; Gray, Richard T., About face: German physiognomic thought from Lavater to Auschwitz, Détroit, Wayne State University Press, 2004 Google Scholar.

2 - Voir surtout Caplan, Jane et Torpey, John (éd.), Documenting individual identity: The development of State practices in the Modern era, Princeton, Princeton University Press, 2001 Google Scholar.