Cambridge Opera Journal: Volume 28 - Special Issue: Remaking the Aria

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Cambridge Opera Journal
ISSN: 0954-5867

EISSN: 1474-0621

URL: /core/journals/cambridge-opera-journal
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Special Issue: Remaking the Aria

Introduction

Remaking the Aria

Research Article

Filial Enchaînements Metastasio, ‘Per quel paterno amplesso’ (Arbace), Artaserse, Act II

Slipping Out Handel, ‘As with rosy steps the morn’ (Irene), Theodora, Act I

Living, Loving and Dying in Song Gluck, ‘Che farò senza Euridice’ (Orfeo), Orfeo ed Euridice, Act III

The Qualities of Quantities Mozart, ‘Madamina, il catalogo è questo’ (Leporello), Don Giovanni, Act I

Melodramatic Histrionics Bernhard Anselm Weber, ‘Ich bin geliebt’ (Sulmalle), Sulmalle

Out of Circulation Beethoven, ‘Hat man nicht auch Gold beineben’ (Rocco), Fidelio, Act I

Bellini’s Gothic Voices Bellini, ‘Un grido io sento’ (Alaide), La straniera, Act I

The Progress of an Aria Bellini, ‘Ah! non pensar che pieno’, Beatrice di Tenda, Act I

Malibran’s Favourite Aria Balfe, ‘With Rapture Dwelling’ (Isoline), The Maid of Artois, Act III

Excavating Attila Verdi, ‘Allor che i forti corrono’ (Odabella), Attila, Act I

The Sexual Politics of Operatic Collaboration Gounod, ‘Ô ma lyre immortelle’ (Sapho), Sapho, Act III

Anti-Historical, but Nonetheless There… Verdi, ‘Tutte le feste’ (Gilda), Rigoletto, Act II

From Orpheus to Opera – Singing about Singing in Verdi’s Il trovatore Verdi, ‘Tacea la notte’ (Leonora), Il trovatore, Act I

The ‘Caruso of Jazz’ and a ‘Creole Benvenuto Cellini’ Verdi, ‘Miserere … Ah, che la morte ognora’ (Leonora, Manrico), Il trovatore, Act IV

Should Manrico Escape? Verdi, ‘Miserere … Ah, che la morte ognora’ (Leonora, Manrico), Il trovatore, Act IV

Violetta, Historian Verdi, ‘Sempre libera’ (Violetta), La traviata, Act I (1853)

Texts from Elsewhere Verdi, ‘Pace, pace, mio Dio!’ (Leonora), La forza del destino, Act IV

Light Music meretrix Offenbach, ‘Rondeau de la Lettre’ (Métella), La Vie parisienne, Act II

Holding Hands Verdi, ‘Tu che le vanità’ (Elisabetta), Don Carlo, Act IV

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Special Issue: Remaking the Aria

Introduction

Research Article