To speak of oral narratives or song-poems, particularly those of primitive peoples, as constituting true literature has until recently met with the greatest suspicion not only from the general public but from students of literature and, indeed, from most ethnologists as well. Their objections are basically of two kinds. No literature is possible, they contend, without writing, and the languages spoken by primitive peoples are inadequate both in vocabulary and the range of ideas which can be expressed in them to permit the development of what we call true literature. Both of these contentions are, I feel, quite incorrect. One has only to read such studies as those of F. Boas and Edward Sapir to realize on how slight a basis of fact such statements rest. There is no need, consequently, to spend any time refuting the theories of philosophers like Lévy-Bruhl or E. Cassirer concerning the structure of primitive languages. The only thing that can be said in defense of their generalizations is that, given the manner in which many of the recorders of these languages presented their data and the many loose statements they made, it is easy to see how Lévy-Bruhl and Cassirer and those who were influenced by them arrived at their unsound generalizations. The first objection, particularly, that without writing no substantial literature can possibly develop, will, I am certain, be adequately disproved by the examples of prose and poetry which I am presenting in this essay.