Some years ago, in his contribution to a collection of essays on the Supreme Court and the Indian Constitution, Pratap Bhanu Mehta emphasized the political significance of the Court, saying, “there is not a single important issue of political life in India that has not been, by accident or design, profoundly shaped by its interventions … the courts participate and collaborate in governing India” (Mehta 2006, 162). How exactly might this happen? In beginning to explore answers to this question, I want to focus on the formation of a distinct environmental jurisprudence and its relationship to the changing and dynamic qualities of a democratic polity in India. And in formulating my analysis I draw here on my current work on courts and the environment in India or how the environment came to be a legal object in India over the last century.

Myanmar has been conventionally regarded as one of the most repressive countries in the world. As a result, many scholars, journalists, and human rights organizations understandably focus their attention on the draconian policies of the Myanmarese military regime. When the country makes headlines, the story of events taking place is typically framed in terms of state oppression and direct popular opposition. This leads to a restrictive view of the “political” dimensions of life in Myanmar, an approach to the topic that deals with only a small number of admittedly important subjects: authoritarian governance, organized efforts to bring about systemic change, and the fate of Aung San Suu Kyi, the Nobel Peace Prize Laureate whose latest release from house arrest put Myanmarese politics back in the headlines in November 2010. What is left out of the picture—or given only glancing attention—are a host of social, economic, and cultural issues that also have political dimensions and implications, namely the efforts by Myanmarese citizens to carve out space for independent, meaningful action on a personal level. These actions, which have political aspects but stop short of being outright forms of dissent, will be my focus in this essay.

The status of Kalhana's poem Rajatarangini was mediated in colonial India in part through its English translations. However, the intent of the translations has been insufficiently analyzed in the context of the interrelationship between Orientalist and nationalist projects and the historical and literary ideas that informed them. The translators of Rajatarangini framed the text as more than a solitary example of Indian historical writing; rather, they engaged with it on multiple levels, drawing out, debating, and rethinking the definitions of literature and history and the relative significance of and relationship between them in capturing the identity of the nation and its regions. This article examines two translations of the text—one “Orientalist” and the other “nationalist”—with the purpose of interrogating these categories, by drawing out the complex engagement between European and indigenous ideas, and the dialogue between past and present that informed their production.

Climate change has become a focal point in recent environmental debates and policymaking. Latest polls show rising consensus among the global public on the urgency of the problem. Home to the fastest growing economies as well as to four of the ten largest greenhouse gas emitters, Asia holds key to successful global coordination on climate change policy. This essay draws a contour of Asian public opinion on climate change issues based on multiple cross-national polls. While generally aware of climate change and seriously concerned about its effects, Asians turn out to be the least willing to bear the costs of climate change mitigation as compared to the residents of other regions of the world. This portends a great hurdle to devising and implementing proactive policies to address the challenges of climate change in the region.

This article examines the principle of commercialization evoked in Zhang Ailing's writing and explores how it frames the subjective value of emotions—particularly desolation—in her fiction. Human relationship in Zhang's world is essentially commercial, in the sense that it is dominated by interest calculation and exchange. This relationship is driven by desires that are relentless and cannot find meaning in any goal. Behind this human relationship is a commercial framework of value that turns any form of subjectivity assuming natural value into a commodity for consumption. This is the mechanism through which desolation in Zhang's fiction is commercialized. By exploring the affective structure of desolation, the author argues desolation assumes natural value by building fatalism into its structure as a natural principle. In doing so, Zhang's aesthetics of desolation presents itself as a petty bourgeois construction for consumption.

The harmonium is both widely played and widely condemned in India. During the Indian independence movement, both British and Indian scholars condemned the harmonium for embodying an unwelcome foreign musical sensibility. It was consequently banned from All-India Radio from 1940 to 1971, and still is only provisionally accepted on the national airwaves. The debate over the harmonium hinged on putative sonic differences between India and the modern West, which were posited not by performers, but by a group of scholars, composers, and administrators, both British and Indian. The attempt to banish the sound of the harmonium was part of an attempt to define a national sound for India, distinct from the West. Its continued use in education served a somewhat different national project: to standardize Indian music practice. This paper examines the intertwined aesthetic and political ideals that underlie the harmonium controversy.

As Charles Armstrong notes in beginning his review essay that follows, deliberately or not North Korea has been in the headlines. Over the past two decades, and notwithstanding the publication timelines that affect our business, it has rarely been a risk for an academic author to start any piece by stating just that. While the articles that comprise this Journal of Asian Studies “mini-forum” on North Korea had already been commissioned, it will surprise no reader to learn that their framing and urgency shifted in response to recent events. As this issue goes to press, such events have included the November 2010 artillery skirmish centered on Yŏnp'yŏng Island, the choreographed revelation in the same month of Democratic People's Republic of Korea (DPRK) uranium enrichment facilities to visiting nuclear scientist Siegfried Hecker, and the March 2010 sinking of the South Korean warship Cheonan. All of these incidents—in combination with actions and inactions by South Korea, the United States, and other regional powers—arguably moved the peninsula closer to “the brink” at the end of 2010 than it had been for some time.

Three broad concerns inspired Strange Parallels. First, like many students of Southeast Asia, I was long troubled by the fragmented, kaleidoscopic nature of much precolonial historiography. Curiosity to see if I could detect long term, overarching patterns provided my initial spur.

By late December 2010, the truculence of brinkmanship between the two Koreas made it easy to forget that more auspicious signs of compromise had come as recently as this past autumn. The resumption of reunions among separated Korean families in late October and early November appeared to signal a modest improvement in inter-Korean cooperation, raising hopes that a program of cross-border family meetings would not only continue, but also expand. Yet, those hopes were dashed only weeks later when a military crisis escalated off the west coast of the Korean peninsula. On November 23 in a contested maritime zone, a South Korean military exercise was challenged by a North Korean artillery unit, which escalated the confrontation by shelling a South Korean island—killing four South Koreans including two civilians. In the artillery exchange that followed between the two sides, five North Korean soldiers were killed. The stark contrast between the pathos of the tearful family reunions and the panic and anger following the shelling of Yŏnp'yŏng Island, illustrated how quickly the inter-Korean situation had deteriorated. During the same month when South Korea hosted world leaders at the G-20 summit in Seoul to discuss the state of the global economy and the risks of a brewing “currency war,” the family reunions and deadly artillery attack served as sobering reminders that the Korean War, never formally ended, still continues.

This essay focuses on Ch'oe Chaesŏ, a leading Korean intellectual, active translator of English literary criticism, and editor in chief of Kokumin Bungaku (National Literature), a prominent Japanese-language journal published in colonial Korea. Ch'oe asserted that the unfolding of history in the twentieth century demanded a paradigmatic transition from liberalism to state-centered nationalism in culture. He also privileged everyday life as allowing people to live as members of communities that ultimately are integrated into the state. By positioning Koreans firmly as subjects of the Japanese state, his argument implied that the colonized should be treated on a par with the colonizers. Further, Ch'oe advocated Koreans' cultural autonomy as an ethnic group within the Japanese empire. Tracing Ch'oe's early life and examining his critical essays on nation, culture, and state, the author discusses how his endeavors to establish an autonomous space for Korean culture simultaneously legitimized Japanese colonial control.

This article seeks to explain how, given Japan's “nuclear allergy” following World War II, a small coastal town not far from Hiroshima volunteered to host a nuclear power plant in the early 1980s. Where standard explanations of contentious nuclear power siting decisions have focused on the regional power utilities and the central government, this paper instead examines the importance of historical change and civil society at a local level. Using a microhistorical approach based on interviews and archival materials, and framing our discussion with a popular Japanese television show known as Hatoko's Sea, we illustrate the agency of municipal actors in the decision-making process. In this way, we highlight the significance of long-term economic transformations, demographic decline, and vertical social networks in local invitations to controversial facilities. These perspectives are particularly important in the wake of the 2011 Fukushima crisis, as the outside world seeks to understand how and why Japan embraced atomic energy.

This article explores the role of affect and sentiment in shaping cross-cultural encounters in late colonial Korea, as seen and experienced through the eyes of Japanese men and women who grew up in Seoul. By interweaving the oral and written testimonies of former settlers who came of age on the peninsula between the late 1920s and the end of colonial rule in 1945, the paper attempts to reconstruct their emotional journey into adulthood as young offspring of empire: specifically, how they apprehended colonialism, what they felt when encountering different segments of the Korean population, and in what ways their understanding of the world and themselves changed as a result of these interactions. Focusing on the intimate and everyday zones of contact in family and school life, this study more broadly offers a way to understand colonialism without reducing complex local interactions to abstract mechanisms of capital and bureaucratic rule.

This essay studies the practice of cultural translation in colonial Taiwanese cinematic space. Just as the Japanese translation of Western cinema brings into play traces of Japanese otherness, the Taiwanese translation of the Japanese translation disrupts the Japanese monopoly on the meaning of cinematic experience in colonial Taiwan. A key figure in this complex cultural translation was the benshi, a translator who performed alongside the screen to interpret the film for the audience. This study argues that an overemphasis on the interventional power of the benshi's word does not do justice to the complex role of the benshi as a translator. In spite of its inscription of the cultural specific in the cinematic space, the presence of the benshi is also a reminder of an unfulfilled desire: the desire for the (foreign) image and the desire for the other. Insofar as the act of translation is a critical engagement with the challenges posed by the other, a simplistic celebration of local resistance does not help us fully address the complexity of cultural translation that defines the mediascape of the modern age.

Every now and again a book comes along that “shakes foundations”, as it were. Such volumes let us know that something novel has appeared on the scene, in terms of new ways of knowing the shape and landscape of the past, the great “undiscovered country” of the proverb. Strange Parallels – not one book, but two – is this kind of project. In an age of hyperbole it is easy to believe the breathless hype of publishers when they tell us, the reading public, that such work has arrived. Many of us often end up feeling deflated, though, when the volume finally gets to our desks. On occasion, though, such books do live up to the praise, and happily this is the case with Victor Lieberman's absorbing two volumes. Lieberman is a well-respected historian of Burma; in recent years, his tastes have been ranging further afield, however, as he has sought to connect Burma to larger stories and themes. Strange Parallels is the result of that philandering eye, an occasion when infidelity of one's locus of choice cannot only be forgiven, but applauded because of the result. Lieberman did not just covet his neighbors in this exercise – Siam and Vietnam and the other polities of mainland Southeast Asia. He ended up coveting Eurasia, or the expanse of an entire continent. What happens when you marry a very specific area studies expertise to this kind of vastly expanded vision? What paradigms can be shifted, and what new patterns can be seen? Perhaps most importantly, what new things can be discerned about the “undiscovered country” of the past that previously were hidden, even to cognoscenti?

North Korean leader Kim Jong Il can be criticized for many failings, but if one of his goals has been keeping his country in the global media spotlight, he has been wildly successful. Of course, North Korea gets this international attention for all the wrong reasons: military provocations, a clandestine nuclear program, a bankrupt economy, an atrocious record on human rights, and an eccentric if not deranged leadership. Some of the accusations leveled against North Korea in the Western media and popular press may have a basis in fact, others are more questionable. But until recently, substantive knowledge of the Democratic People's Republic of Korea (DPRK) was notable mainly for its absence. Before the 1990s, little was written about the DPRK beyond official North Korean propaganda and its opposite, anti-North Korean propaganda from the South. Much of this has changed, both because of new sources of information (including material from North Korea's former communist allies), but more importantly because of the growing interest in the subject after South Korean democratization in the late 1980s and the first US-North Korean nuclear crisis of the early 1990s.