Ladies and Gentlemen, I have the honour to announce a sale of many interesting, beautiful, rare, quaint, comical and necessary articles. Here you will find objects of taste, such as Babies' Shoes, Children's Petticoats, and Shetland Wool Cravats; objects of general usefulness, such as Tea-cosies, Bangles, Brahmin Beads, and Madras Baskets; and objects of imperious necessity, such as Pen-wipers, Indian Figures carefully repaired with glue, and Sealed Envelopes, containing a surprise. And all this is not to be sold by your common Shopkeepers, intent on small and legitimate profits, but by Ladies and Gentlemen, who would as soon think of picking your pocket of a cotton handkerchief, as of selling a single one of these many interesting, beautiful, rare, quaint, comical and necessary articles at less than twice its market value.
Spoken amidst trumpet flourishes by Robert Louis Stevenson's “allegorical Tout,” these words introduce an institution familiar to all of us and one full of interest to the social historian — the charity bazaar. Tea-cosies, bangles, Brahmin beads, and Madras baskets may seem only quaint and comical, but they and similar trifles filled countless stalls in innumerable bazaars and raised tens of millions of pounds in nineteenth-century England for causes of every conceivable description. Men and women of all social classes found bazaars, fancy fairs, fancy sales, or ladies' sales as they were variously called, a most popular and fashionable way of making money for the charity of their choice. Many philanthropic societies depended on them for annual funds. Clergymen of all persuasions, not without a touch of compromise, looked to them as a last resort to build a church or to enlarge a school or drawing room.