Not many statesmen of world renown have had reputations as accomplished novelists. Benjamin Disraeli (1804-81) was a novelist who wanted to become a politician, a great politician. He succeeded and, in so doing, challenged his biographers to make connections between his thought, as expressed in his numerous political writings and novels, and his actions, as evidenced by his career as a leading Conservative politician in Victorian England. Disraeli's novels were like masks. Whatever the story line, whatever the configuration of main characters, the ambitious Disraeli, hungry for recognition, can be found somewhere inside. His psychology, his values, his objectives all can be discovered with greater or lesser facility in his novels. The writings of Disraeli the novelist serve as an instrument to penetrate the facade of Disraeli the politician.
The political novel allows the reader to experience political constructs in context. Political tracts seldom have the power to draw their readers into a sense of intimacy with their implications for everyday life. To the extent that a novelist can generate empathy in the reader for his characters, the reader can begin to feel the outrage, despair, joy, or tediousness of a political or social circumstance. Disraeli employed the novel to good purpose to express and spread his political ideas. But these ideas represented less of a coherent political platform than an agenda of his personal reactions to the politics of his day, particularly as they related to his own political advancement.