La riqueza epigráfica de las ánforas olearias de la provincia Bética es bien conocida gracias a los numerosos sellos de alfarero, rótulos pintados (tituli picti) y grafitos grabados en la arcilla fresca (ante cocturam). Éstos últimos suelen contener signos y simples letras, pero a veces, también nombres de personas y fechas calendariales y consulares. En este trabajo presentamos un grafito de carácter excepcional por su contenido estrictamente literario. En él, proponemos identificar un fragmento de poema de Virgilio. Analizamos y discutimos el contexto en que se realizó, la autoría del mismo y su significación para el conocimiento del grado de alfabetización de la sociedad rural romana en el Valle del Guadalquivir. Constituye el primer caso constatado sobre ánfora romana y es de excepcional interés para arqueólogos, epigrafistas y filólogos del latín vulgar.

This paper explores the processes of specialized viticulture in the province of Gallia Narbonensis over the first three centuries CE and brings this evidence to bear on broader economic questions, particularly as they relate to the effects of connectivity and globalization on Roman economic development. Evidence from small farms to sprawling villas suggests that specialized production stretched across multiple strata of society in Narbonensis, from so-called peasants to the wealthiest elites. The existence of specialized agricultural production at the scale documented in Narbonensis required significant demand, well-connected and integrated markets, sustained trade, and an awareness of these economic factors by the residents of the province. The evidence presented here demonstrates that the residents of Narbonensis recognized that they were part of an economic environment in which high levels of connectivity and integrated markets allowed them to pursue more profitable production strategies and that they pursued these opportunities.

L'articolo indaga le immagini di famiglia sui monumenti funerari della Venetia, concentrate per lo più nel corso dell'età giulio-claudia, anche incrociando le informazioni epigrafiche e integrando l'analisi con elaborazioni quantitative. Si registra una certa codificazione del significato parentale, che emerge dallo schema iconografico e viene ribadito dai gesti, mentre abiti e oggetti aiutavano a caratterizzare il singolo ritratto. Non si riconosce una consistente alterazione del significato dell'immagine in base al contesto sociale o alla premorienza di alcuni membri della famiglia. L'analisi permette di comprendere quali fossero le tendenze trasversali su cui la committenza agiva per ritrarre il proprio nucleo domestico, dialogando con il contesto geografico e culturale di appartenenza e sintetizzando la realtà familiare del mondo dei vivi per creare un modello iconico per la comunità dei morti.

In the Roman world, lamps with replicated images of sex were in circulation from the late 1st c. BCE until the end of the 4th c. CE. This paper maps out key regional and chronological trends in the representation and consumption of these objects using data from 11 provincial sites. It demonstrates sustained sensitivity of replicated sexual disc-reliefs to distinctive regional styles of consumption and representation. It also shows that symplegmata disc-reliefs were interacting and changing over time, resulting in innovative imagery that produced new meanings in localized contexts. This is the first comparative systematic study of the styles of consumption and representation of replicated lamp iconography using statistical methods. As such, the paper contributes a novel methodological approach to Roman sexuality research and also advances our understanding of how Roman replicated sexual imagery came about, how it constructed meaning, and how it was consumed by different communities over time.

This article presents a new interpretation of the results of the 1980s excavations led by Andrea Carandini on the north Palatine slope. In contrast to Carandini's original reconstruction of the complex as four atrium houses, I propose one palatial complex on the Sacra Via that finds some parallels in recently excavated complexes elsewhere, like the Auditorium site in Rome and the Borgo at San Giovenale.

The excavation of a palaeochannel at the Vistre de la Fontaine 2-2 archaeological site, 3 km downstream from the ancient city of Nîmes (southeastern France), provided an accumulation sequence covering the last 2,500 years. Trace metal analyses of these alluvial sediments disclosed lead (Pb) contamination during the Early Roman Empire, with concentrations close to 1,000 ppm, a factor of 100 above the local geochemical background. This excess of Pb shows a uniform isotopic signature that may reflect unchanged ore sources, perhaps from the Massif Central or from Great Britain. The Pb peak accompanied visible waste that was transported in the sediments of the Vistre de la Fontaine at the time of the development of the Nîmes urban water supply and drainage network during the Early Roman Empire. This research shows the bimillennial persistence of palaeo-contamination in a peri-urban alluvial plain and the relevance of fluvial sedimentary archives in documenting ancient waste.

This paper examines the distinctive distribution patterns of Amphore Crétoise (AC) 4 amphoras within Roman trade networks through critical assessment of the morphological attributes of this amphora type compared to AC1–3 jars and through consideration of the mechanisms that underlie these patterns. This builds on a growing number of studies that have focused on the design attributes of amphoras as important factors tied to their economic role. It also demonstrates the importance of engaging in more nuanced and detailed investigations that question assumptions about amphora distribution within the Roman world. The AC4 is the primary, and often only, Cretan type found at sites in Rome's northwestern provinces and along the Danube frontier. A narrower profile and smaller capacity appear to have made this amphora type more attractive than other Cretan forms for transport along river and overland routes.

A group of 24 bronze finger-rings threaded onto a wire bracelet was unearthed in 2018 at the Roman vicus at Wareswald (the “Forbidden Forest”) in Gallia Belgica. The find is analyzed here alongside evidence for the use, sale, and production of Roman rings. The find represents the work of a local craftsman, active in the first quarter of the 4th c. CE. While the rings were made in a small rural town, they closely imitate expensive global ring forms. The function and meaning of the very common class of trinket rings to which the Wareswald rings belong are considered, along with how these rings were used to make statements about identity, including local and regional affiliations, literacy, marital status, or other social connections. It is suggested that the popularity of many trinket rings lay in their ability to provide a sense of participation in upper-class fashion at a very low price.

This article explores ideas about stable-barracks, which have received much attention in recent provincial Roman archaeology. This renewed attention stems from new discoveries in Romania that prompt a re-evaluation of earlier conclusions. Geomagnetic investigations and subsequent excavations of the fort of the ala I Batavorum milliaria in Războieni-Cetate (Alba County) have shown that, contrary to prevailing opinion, stable-barracks could be considerably larger than similar buildings known from Great Britain and Germany. These findings suggest that a significant reconsideration of the concept of stable-barracks is required, along with an updated discussion about the normal troop strength of alae milliariae in the Roman army.

The peristyle house kitchen in the legionary camp at Vindonissa is one of the few examples of a Mediterranean-style kitchen with a raised hearth in the northwestern provinces. The exceptional preservation of the kitchen made possible an interdisciplinary investigation combining archaeological, archaeobiological, and micromorphological analyses in order to reconstruct dietary and food-processing practices, kitchen maintenance, and waste disposal management in a 1st-c. CE legionary camp household in Germania Superior. The kitchen infrastructure, the large ceramic inventory, and the amphorae finds together indicate a sophisticated cuisine and also food preparation for a large number of people, most likely by servants. The archaeobiological finds provide evidence that the diet was strongly Roman influenced and luxurious. These results confirm that the diet and in general the whole lifestyle of military members was strongly determined by military rank. The house was most likely inhabited by a high-ranking officer of the 11th legion.

Un texte récemment mis au jour dans les environs de Lepti Minus (Lamta, dans le Sahel tunisien), gravé sur sur la face principale d'une base de statue, apporte un éclairage substantiel concernant l’édification de l'amphithéâtre de la ville: le contexte d‘édification, la nature du financement et l'identité des évergètes qui l‘ont pris en charge. Il s'agit donc d'un hommage public que le populus Leptitanorum a rendu à L. Octauius Felix, un notable local, membre de l'ordre équestre, coopté en qualité de patron de la cité. Le texte présente ainsi des centres d'intérêt multiples: des considérations onomastiques et sociales, le cursus équestre du notable laptitain, L. Octauius Felix, du primipilat, à la préfecture du camp de la Legio VII Gemina, en Espagne, et a prise en charge de la construction de l'amphithéâtre.

L'insediamento antico di Nuceriola lungo la via Appia (Benevento, Italia) rappresenta un interessante contesto per lo studio delle forme insediative nel territorio del Sannio. Con un arco di vita che va dal IV sec. a.C. al VI sec. d.C., privo di superfetazioni postantiche, esso è diventato un punto di osservazione privilegiato per il progetto Ancient Appia Landscapes (Università di Salerno), in particolare in rapporto ai temi dell'espansionismo romano di età mediorepubblicana, alle forme insediative del mondo rurale, alla viabilità antica. Nel presente contributo sono presentati i risultati dell'analisi fotointerpretativa effettuata su supporti aerofotografici disponibili o creati ex novo: tali dati, coadiuvati dalle informazioni delle attività di scavo, delle prospezioni geofisiche e delle ricognizioni di superficie, delineano un quadro organico della forma dell'insediamento e consentono di proporre un “disegno” suggestivo in grado di arricchire l'ancora poco ampio panorama di conoscenze riferibili allo studio degli abitati minori di questa parte del Sannio.

Reccopolis was a new city built in Visigothic Spain in the late 6th c. CE. Even rarer than this example of an ex novo urban foundation in the post-Roman West is the fact that the city was equipped with a brand-new aqueduct. The aqueduct has, until now, only been partially studied, but in this paper we update and re-assess the original, preliminary results. We consider the city's whole water cycle, including usage and drainage, employing new engineering calculations and GIS analyses. The results show that the aqueduct was an integral part of the city. Finally, we set our conclusions within their wider context, looking not only at the roles of aqueducts in the ideal of a city at this time, but also at urban water culture in the Late Antique West.

Discussions of mithraea tend to emphasize their uniformity. While it is true that many earlier mithraea do adhere to an established plan, there are a notable number of mithraea dating from the late 3rd c. onward that do not. This article discusses these various atypical mithraea, how such alterations to the standard mithraeum plan might have impacted on Mithraic rituals, and how this might have affected the experiences of the participants. It also explores why such changes occurred, observing that while in some instances this may have been to accommodate alterations to ritual practices, in others it was likely due to more mundane issues, such as limitations on space and environmental factors. The article concludes by reflecting on the implications this has for the identification of mithraea in the archaeological record.

This paper analyzes the reuse of ancient tuff blocks in early medieval architecture in Rome, in both papal and private structures. The blocks are a well-known phenomenon, but they have not yet received any focused study. Short discussions in earlier scholarship have typically described them in utilitarian terms. I first identify a pattern of targeted reuse in papal building projects. I then argue that they would also have had symbolic value for an independent papacy wanting to display power. For later private builders, I propose that the blocks became prestige materials displayed on the houses of an ever-tightening aristocracy eager to be seen within some of the city's most important monumental spaces. I consider how the city's ancient monuments and their pieces were viewed in the early medieval period and how the blocks’ ancient contexts contributed to the symbolic value that I identify in them.

During the 2019 archaeological excavation season in Blaundos, a Roman-period bronze medallion was found within a wall of a Byzantine-period structure on the main street. It is a medallion struck by the Lydian city of Silandos, bearing the bust of Faustina II on the obverse and Marcus Aurelius clasping hands with Lucius Verus on the reverse. A literature search revealed that it is a rare and unpublished specimen. Neither RPC, the largest database of Roman Provincial Coinage, nor auction databases record any example of it. The iconography, combining the portrait of the empress with a depiction of the co-emperors of the period, does not point to any specific event or incident. The reverse die was, however, used for another medallion struck later by Silandos. This paper aims to introduce, interpret, and discuss this unique Lydian medallion from the 2nd c. CE.

New research at the site of Philoxenite in northern Egypt has identified six large building complexes, each based on a modular design. Each building is composed of replicated segments and dates to the 6th c. CE. This approach to design, used at Philoxenite, is not seen elsewhere on such a scale at this date. Nevertheless, modular design was deeply rooted in the construction traditions of the Roman and Early Byzantine periods, when it was used primarily for shops, warehouses, and cisterns. In Philoxenite, it was used to erect a town district that catered to the needs of pilgrims heading from Alexandria to Abū Mīnā, the largest Christian sanctuary at the time.

In 2017, archaeologists at Pompeii discovered by far the longest tomb inscription ever found at the city on a monumental tomb. This elogium provided insight into many aspects of the city's social, economic, and political world. One clause attests to the distribution of baked bread in the city. This note argues that the passage provides new evidence from Pompeii that answers two longstanding questions. The first is that of the subject of an often-reproduced Pompeian fresco. The identity of the main figure in the painting is debated: either a baker or a politician. The second is the status, political rank, and network of the owner of the property on which the fresco was discovered. Supported by the evidence of an electoral programma, the painting and inscription illuminate the mechanics of beneficence at Pompeii and serve to identify the residence of someone who operated in the political networks of the 1st-c. CE city at a sub-elite level.