Few books are exemplars of real hard work sustained over a lengthy period of time as is John Smith's The Epic of Pabuji(1991). Starting his investigation of the scroll of cloth painting in 1973, a huge structure measuring fifteen feet by four, locally termed par, before which this epic is sung by a special caste of people, lower in hierarchy, called Naik Bhopa, Smith in a span of eighteen years has accomplished a work of lasting stay in the ethnographic tradition of south Asia as well as the discipline of folklore in general. Before this book was published, he had also contributed some important papers (in 1986 and 1989) on Pabu-ji. As far as I know, it is rare that Sanskritists, which Smith is at Cambridge, pay attention to ‘popular (or “non-Sanskritic”) traditions’ of people, and if at all they do, introducing the anthropological method of fieldwork in their study, their works are still laden with Indological references and scholarship where the actual voice of people is lost in oblivion or relegated to the back seat. But it does not happen with Smith; he is not only committed to listening to people's voice in its own right and place, but also provides a fair, up to date, and scholarly account of Pabu-ji's story and its role and niche in the local culture of Rajasthan. Therefore, his work is also of considerable interest to anthropologists, especially those working on the sociology of cult, popular religion, and non- literate traditions and their meanings.