Published online by Cambridge University Press: 20 November 2018
The mixture of neo-Renaissance and neo-Classical forms of the National Assembly in Belgrade was to become a visual paradigm of the democratic course and national sovereignty of the Kingdom of Serbia, affirming the status of this newly born nation-state in nineteenth-century Europe. Yet, the interpretation of political messages associated with the building's nineteenth-century architectural features is still in progress. The aim of this paper is to explore how the image of the National Assembly developed into the visual repository of different ideological connotations depending on the character of public events being organized, in the building or in the space in front of it either to support state ideologies or to fight against them. In addition to ideological settings of the nineteenth and early twentieth centuries, this research will focus on political meetings and public gatherings of the post-WWII state constructs, from the socialist federation of Marshal Tito to the more recent emanations of Serbian statehood. Along with analyzing the architectural forms of the building serving in different political contexts, this discussion will illuminate the appropriation of space in front of the building by examining the overall staging of public events which have become embedded in the contrasting layers of a collective memory associated with the same image: the National Assembly as the backdrop.