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Yossi Maurey , Medieval Music, Legend, and the Cult of St Martin: The Local Foundations of a Universal Saint. Cambridge: Cambridge University Press, 2014. xvi + 298 pp. £70. ISBN 978 1 107 06095 1.

Published online by Cambridge University Press:  25 September 2015

MICHAEL ALAN ANDERSON
MICHAEL ALAN ANDERSON*
Affiliation:
manderson@esm.rochester.edu
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Plainsong & Medieval Music , Volume 24 , Issue 2 , October 2015 , pp. 234 - 240
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Copyright © Cambridge University Press, 2015 

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References

1 Early Music History, 32 (2013), 317–23.

2 A copy of the original customary (destroyed in World War I) survives in Tours, Bibliothèque municipale MS 1295, 451–521.

3 Kruckenberg, L., ‘Neumatizing the Sequence: Special Performances of Sequences in the Central Middle Ages’, Journal of the American Musicological Society, 59 (2006), 243–317 CrossRefGoogle Scholar.

4 Higgins, Paula, ‘Speaking of the Devil and Discipuli: Eloy d’Amerval, Saint-Martin of Tours, and Music of the Loire Valley, ca. 1465–1505’, in Uno gentile et subtile ingenio: Studies in Renaissance Music in Honour of Bonnie J. Blackburn, ed. Bloxam, M. Jennifer, Filocamo, Gioia and Holford-Strevens, Leofranc (Turnhout, 2009), 169–82, at 175CrossRefGoogle Scholar.

5 ‘A Courtly Lover and an Earthly Knight Turned Solider of Christ on Machaut's Motet 5’, Early Music History, 24 (2005), 169–211.